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Roger Fenton: An Inventory of His Photography Collection at the Harry ...
- https://norman.hrc.utexas.edu/fasearch/findingAid.cfm?eadid=01230#:~:text=Using%20glass%20plate%20negatives%20and%20the%20wet%20collodion,exposure%20times%20were%20between%20three%20and%20twenty%20seconds.
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Roger Fenton | British photographer | Britannica
- https://www.britannica.com/biography/Roger-Fenton
- Fenton and his assistant, Marcus Sparling, arrived on the ship Hecla and set up their darkroom in a wagon. Using the wet-collodion photographic process of the times, they took approximately 360 photographs of the war. As an agent of the government, however, Fenton portrayed only the “acceptable” parts of the conflict.
Roger Fenton | International Photography Hall of Fame
- https://iphf.org/inductees/roger-fenton/
- By 1851, Fenton had also begun experimenting with photography, and he returned to Paris to study the new negative-positive collodion process at the studio of Gustave Le Gray. Upon his return to England, Fenton quickly became a prominent spokesperson for the medium and lectured at the first public exhibition of photography in Britain in 1852.
Roger Fenton - Iconic Photographer - Amateur …
- https://www.amateurphotographer.co.uk/iconic-images/roger-fenton-iconic-photographer-21043
- Fenton used an inheritance from his grandfather, a mill owner, to study painting in Paris and London in the 1840s. However, after seeing a number of photographs on display at the Great Exhibition in 1851 he turned his attention to photography. He was soon producing his own images, including London scenes and self-portraits, and held his first exhibition in 1852.
Photographing conflict: Roger Fenton and the Crimean War
- https://blog.scienceandmediamuseum.org.uk/remembrance-day-part-1-photographing-war-fenton-crimean/
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Roger Fenton, Crimean War Photographer - Warfare …
- https://warfarehistorynetwork.com/2015/07/16/roger-fenton-crimean-war-photographer/
- Fenton used the wet cullodian process by which a glass plate was first dipped in a sensitizing bath. While still wet, it was exposed in a large, bulky box camera, removed, and developed. The weather conditions, particularly during the summer in the Crimea, meant it was impossible to work after 10 am owing to heat, dust, and flies.
Roger Fenton (1819–1869) | Essay | The Metropolitan …
- https://www.metmuseum.org/toah/hd/rfen/hd_rfen.htm
- Roger Fenton is a towering figure in the history of photography, the most celebrated and influential photographer in England during the medium’s “golden age” of the 1850s. Before taking up the camera, he studied law in London and painting in Paris. ... In landscape photography, too, Fenton was without parallel among his countrymen.
Monday’s Photography Inspiration – Roger Fenton
- https://photographyandvision.com/2021/08/30/mondays-photography-inspiration-roger-fenton/
- Fenton’s extensive documentation of the war, the first use of photography in this manor included images of the port of Balaklava, the camps, the terrain of battle, and portraits of officers, soldiers, and support staff of the various allied armies. Landing Place, Railway Sores, Balaklava by Roger Fenton
War Through a Lens - Roger Fenton and the Birth of Battlefield ...
- https://militaryhistorynow.com/2018/12/04/roger-fenton-the-father-of-war-photography/
- Roger Fenton, a self-portrait. (Image source: WikiCommons) Fenton’s first exposure to the art of photography, still in its infancy, came at the Great Exposition of 1851. Immediately intrigued by the medium, he devoted himself to learning more. He soon returned to Paris and was mentored by the trailblazing Gustave Le Gray. An enthusiastic shutter-bug, …
Photo History: Roger Fenton and the Victoria & Albert …
- https://thefrailestgesture.com/photo-history-roger-fenton-and-the-victoria-and-albert-museum/
- You know of him probably from his Crimean photographs, The Valley of the Shadow of Death (1856), made using the wet collodion process. As a process, wet collodion preceded dry collodion (duh). Roger Fenton, The Valley of the Shadow of Death, 1855 (printed 1856) Salted paper print from wet collodion glass negative.
Roger Fenton, Fruit and Flowers, 1860 - National Gallery …
- https://www.nga.gov/collection/highlights/fenton-fruit-and-flowers.html
- In tackling still lifes, Roger Fenton gave form to his ardent belief that no subject was off limits to photography, even one intimately linked to the history of painting and seemingly so dependent on color. Faced with terrible weather in 1860 that curtailed his ability to photograph landscapes, Fenton drew upon the skills he had perfected earlier in the decade while photographing the …
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