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Brisbane based photographer

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Roger Fenton Still Life Photography

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Roger Fenton, Fruit and Flowers, 1860 - National Gallery of Art

    https://www.nga.gov/collection/highlights/fenton-fruit-and-flowers.html
    In tackling still lifes, Roger Fenton gave form to his ardent belief that no subject was off limits to photography, even one intimately linked to the history of painting and seemingly so dependent on color. Faced with terrible weather in 1860 that curtailed his ability to photograph landscapes, Fenton drew upon the skills he had perfected earlier in the decade while photographing the …

Roger Fenton | [Still Life with Fruit] | The Metropolitan Museum of Art

    https://www.metmuseum.org/art/collection/search/283087
    Roger Fenton British. Not on view. As the appointed photographer of the British Museum from 1854 to 1859, Fenton had ample opportunity to develop his skills photographing stationary objects of various sizes and materials, from antique busts to skeletons of animals and birds. In 1860, he embarked on a series of about forty still lifes of fruits and flowers arranged on marble …

Roger Fenton - Iconic Photographer - Amateur Photographer

    https://www.amateurphotographer.co.uk/iconic-images/roger-fenton-iconic-photographer-21043
    In 1858 Fenton made a number of studio portraits with an ?Orientalist? theme, which were followed by a series of beautiful still life studies in 1860. However, these images were among his final photographs. In April 1860 Fenton?s only son died at the age of 15 months. In the same month, his assistant, Marcus Sparling, also died.

Roger Fenton Pioneers Still Lives with Early Food Photographs

    https://phoode.com/blog/influential-artist-roger-fenton/
    Still Life with Ivory Tankard and Fruit by Roger Fenton Pushing the Camera’s Limits. Originally, Fenton was a painter. However, as time progressed, he became enamored with the emerging medium of photography. Fenton strongly held the belief that the camera could accomplish the same tasks as a pen or brush.

Roger Fenton - Wikipedia

    https://en.wikipedia.org/wiki/Roger_Fenton
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Roger Fenton (1819–1869) | Essay | The Metropolitan Museum of …

    https://www.metmuseum.org/toah/hd/rfen/hd_rfen.htm
    He traveled to Russia in 1852 and photographed the landmarks of Kiev and Moscow; founded the Photographic Society (later designated the Royal Photographic Society) in 1853; was appointed the first official photographer of the British Museum in 1854; achieved widespread recognition for his photographs of the Crimean War in 1855; and excelled throughout the decade as a …

Roger Fenton | British photographer | Britannica

    https://www.britannica.com/biography/Roger-Fenton
    Roger Fenton, (born 1819, Heywood, near Rochdale, Lancashire, England—died August 8, 1869, London), English photographer best known for his pictures of the Crimean War, which were the first extensive photographic documents of a war. Fenton studied painting and then law.

Recreating a Roger Fenton still life photograph - YouTube

    https://www.youtube.com/watch?v=fxhsHghSeDM
    This film is taken from our 2012 exhibition Art of Arrangement: Photography and the Still Life Tradition. https://www.scienceandmediamuseum.org.uk/what-was-o...

Monday’s Photography Inspiration – Roger Fenton

    https://photographyandvision.com/2021/08/30/mondays-photography-inspiration-roger-fenton/
    Landing Place, Railway Sores, Balaklava by Roger Fenton. Despite the lack of commercial success for his Crimean photographs, Fenton later travelled widely over Britain to record landscapes and still life images. However, as time moved on, photography became more accessible to the general public.

Photo History: Roger Fenton and the Victoria & Albert Museum

    https://thefrailestgesture.com/photo-history-roger-fenton-and-the-victoria-and-albert-museum/
    Fenton started making his over 40 negatives of still lifes in the summer of 1860 when the wet weather made landscape photography difficult. This was the last photographic series he would make in his lifetime; in 1862 he resigned from the Royal Photographic Society, of which he was the founding member, sold all his equipment and negatives and returned to the bar.

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