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Roland Barthes
- http://rolandbarthes.org/
- Roland Barthes, The Death of the Author In addition to the photographs displayed and discussed in the text, Barthes mentions many philosophers, writers, poets and films. Here is a sampling: Lacan, Watts, Atget, Mapplethorpe, Sartre, Klein, Niepce, Baudelaire, Freud, Proust, Warhol, Kertesz, Kafka, Proust, Schumann, Ariadne, Nietzsche, Blanchot, Antonioni’s Blow-Up and …
Roland Barthes: Camera Lucida - Art History Unstuffed
- https://arthistoryunstuffed.com/roland-barthes-camera-lucida/
- The photograph, for Barthes, “blocks memory” and “becomes a counter-memory.” Barthes was best when he examined the correlation of photography with death. A photograph stopped time and reduced it to a frozen instant. Life went on, the subject changed but the photography stayed the same, even when the person died, the image was left behind.
Understanding Roland Barthes’ problem with photography
- https://photofocus.com/found/understanding-roland-barthes-problem-with-photography/
- Since the global pandemic hit last year, many of us saw our photography derailed or even ground to a halt. As a result, we were confined to either refining our workflow, practicing editing with old photos or learning new skills instead of shooting. Whichever the case, if you’re in the mood for more learning, the insights of French literary theorist and philosopher Roland …
DEATH IN THE PHOTOGRAPH - The New York Times
- https://www.nytimes.com/1981/08/23/books/death-in-the-photograph.html
- By Roland Barthes. Translated by Richard Howard. Illustrated. 119 pp. New York: Hill and Wang/Farrar, Straus & Giroux. $10.95. By ANDY GRUNDBERG. DESPITE a spate of writings on photography in ...
Roland Barthes’ Camera Lucida: Absence as Presence
- http://grantfaulkner.com/2014/08/roland-barthes-camera-lucida-absence-as-presence/
- Photographs state the innocence, the vulnerability of lives heading toward their own destruction, and this link between photography and death haunts all photographs of people.” Barthes searches through photos of his mother for what he calls “the air”: “that exorbitant thing which induces from body to soul— animula , little individual soul, good in one person, bad in …
Roland Barthes: "The Photographic Paradox"
- https://artofcreativephotography.com/essay/the-photographic-paradox-roland-barthes/
- Conclusions about Roland Barthes’ theory of the photographic paradox. In summary we can say: The photographic image is a message without a code, it’s continuous. At the same time it is a connotative message, but not at the level of the message itself, but at the level of its production and reception. The photographic image is a ...
4 Ideas from the Photographic Writings of Roland Barthes
- https://www.bhphotovideo.com/explora/photography/tips-and-solutions/4-ideas-photographic-writings-roland-barthes
- The punctum sneaks into the photograph; it is a surprise every time. The detail that Barthes might experience as the punctum in a photograph is different from the one that I might experience, which, in turn, is different than the one you might experience. The punctum is the most powerful, even dangerous, aspect of photography for Barthes.
Roland Barthes on Photographing the Unconscious in Camera …
- https://bookoblivion.com/2018/12/08/roland-barthes-camera-lucida/
- The French literary theorist, Roland Barthes (1915 – 1980), explores the power of photography in his 1979 book, Camera Lucida. In this explosive work, Barthes demonstrates how still images simultaneously represent and affect the psyche. It is no wonder that he focuses on the way photography can communicate loss and grief more effectively than any other artistic …
Artdoc Magazine - The eidos of photography - Roland Barthes
- https://www.artdoc.photo/articles/the-eidos-of-photography
- Barthes finds that photography doesn't resemble art, but rather theatre, because both theatre and photography have death in common. In the photograph, too, just like in Japanese No theatre, the immobile face that we know from the dead appears. Also, when he sees a photograph of himself, death appears before him.
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