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The Photographic Conditions of Surrealism - JSTOR Home
- https://www.jstor.org/stable/778652
- The Photographic Conditions of Surrealism* ROSALIND KRAUSS I open my subject with a comparison. ... 1981, this essay is the result of research supported by a fellowship from the center. I am grateful for the atmosphere of support and exchange provided by this remarkable ... Arts Council of Great Britain, 1978; and Nancy Hall-Duncan ...
The Photographic Conditions of Surrealism - sckool.org
- https://sckool.org/the-photographic-conditions-of-surrealism.html
- Rosalind Krauss, “The Photographic Conditions of Surrealism” 1981 Surrealism is considered the last of the modern European art movements. However, unlike Realism, Impressionism, and other art movements, Surrealism was notably heterogeneous, with artists employing many media and styles. Unable to define Surrealism as a stylistic unity, art history defines it instead as a body of …
The Photographic Conditions of Surrealism | Semantic Scholar
- https://www.semanticscholar.org/paper/The-Photographic-Conditions-of-Surrealism-Krauss/bdc442ed36884391c7551f3d59e1858a070cd17d
- Semantic Scholar extracted view of "The Photographic Conditions of Surrealism" by Rosalind E. Krauss. ... Rosalind E. Krauss; Published 24 January 1981; Art; October; View via Publisher. Save to Library Save. Create Alert Alert. Cite. Share This Paper. 62 Citations. Highly Influential Citations. 3.
the photographic conditions of surrealism.doc - Rosalind Krauss, …
- https://www.coursehero.com/file/125883967/the-photographic-conditions-of-surrealismdoc/
- Rosalind Krauss, “The Photographic Conditions of Surrealism” 1981 Surrealism is considered the last of the modern European art movements. However, unlike Realism, Impressionism, and other art movements, Surrealism was notably heterogeneous, with artists employing many media and styles. Unable to define Surrealism as a stylistic unity, art history defines it instead as a body of …
The Photographic Conditions of Surrealism | Rosalind Krauss
- https://www.taylorfrancis.com/chapters/edit/10.4324/9781003135630-14/photographic-conditions-surrealism-rosalind-krauss
- ABSTRACT. In this chapter the author uses structuralist tools to analyse the importance of photography within the Surrealist project of registering ‘the marvellous’. In 1925 Andre Breton began to examine the subject surrealism and painting, and from the outset he characterized his material in terms of the very twin poles - automatism and ...
The Photographic Conditions of Surrealism - Sacramento State
- https://www.csus.edu/indiv/o/obriene/art101/readings/the%20photographic%20conditions%20of%20surrealism.doc
- Rosalind Krauss, “The Photographic Conditions of Surrealism” 1981. Surrealism is considered the last of the modern European art movements. However, unlike Realism, Impressionism, and other art movements, Surrealism was notably heterogeneous, with artists employing many media and styles. Unable to define Surrealism as a stylistic unity, art history defines it instead as a body of …
Rosalind Krauss, 'The Photographic Conditions of Surrealism' …
- https://time.graphics/period/1600288
- Rosalind Krauss, 'The Photographic Conditions of Surrealism' (Winter 1981) [October Journal] (oct 1, 1981 – dec 31, 1981) Description: Contributed to the new impetus of critical texts surrounding surrealism from 1979 onwards Added to timeline:
Rosalind E. Krauss - Monoskop
- https://monoskop.org/Rosalind_E._Krauss
- "The Photographic Conditions of Surrealism", October 19 (Winter 1981), pp 15-34; repr. in Krauss, The Originality of the Avant-Garde, 1985, pp 87-118. "La photographie et le surréalisme", trans. Marie-Anne Lescourret, Critique 38:426 (Nov 1982), pp 895-914. (French)
Texts by Rosalind Krauss, 1982
- https://www.lib.uci.edu/sites/all/docs/wellek/krauss/1982.html
- Translation by Marie-Anne Lescourret of "The Photographic Conditions of Surrealism" (1981). "Photography's Discursive Spaces: Landscape/View." Art Journal ... This essay is a modified version of the paper read by Rosalind Krauss at the Colloquium When Words Fail in a session devoted to the stylistic results of the new camera technologies of the ...
Texts by Rosalind Krauss, 1985
- https://www.lib.uci.edu/sites/all/docs/wellek/krauss/1985.html
- The Photographic Conditions of Surrealism:87-118. This New Art: To Draw in Space:119-129. Photography's Discursive Spaces:131-150. The Originality of the Avant-Garde:151-170. Sincerely Yours:171-194. II Toward Postmodernism Notes on the Index: Part 1: 196-209. Notes on the Index: Part 2: 210-219. Reading Jackson Pollock, Abstractly:221-242
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