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Rudolf Arnheim, On the Nature of Photography - PhilPapers
- https://philpapers.org/rec/ARNOTN
- On the Nature of Photography. Rudolf Arnheim. Critical Inquiry 1 (1):149-161 (1972) 1 (1):149-161 (1972)
On the Nature of Photography | Critical Inquiry: Vol 1, No 1
- https://www.journals.uchicago.edu/doi/abs/10.1086/447782
- On the Nature of Photography. Rudolf Arnheim; Rudolf Arnheim. Search for more articles by this author PDF; PDF PLUS; Add to favorites; Download Citation; Track Citations; ... Koray Değirmenci Photography as unconcealment: revisiting the idea of photographic transparency, ...
Arheim's Psychology of Art and Photography - Creative Wisdom
- http://www.creative-wisdom.com/photography/photo_essay/dynamic.html
- Arnheim (1979) considers photography an improper medium to express a person's personality. He has said: The presence of a portrait photographer's camera tends to paralyze a person's expression, so that he becomes self-conscious, inhibited, and strikes an unnatural pose.
Rudolf Arnheim – Harvard Gazette
- https://news.harvard.edu/gazette/story/2009/04/rudolf-arnheim/
- Rudolf Arnheim, Professor of the Psychology of Art, Emeritus, in the Department of Visual and Environmental Studies, experienced the culture and history of the twentieth century deeply and profoundly. A towering figure in the field of visual studies, Arnheim was born in an age when many remembered life without telephones.
Rudolf Arnheim - Monoskop
- https://monoskop.org/Rudolf_Arnheim
- Rudolf Arnheim (1904–2007) was a German-born author, art and film theorist, and perceptual psychologist. His major books are Visual Thinking (1969), The Power of the Center: A Study of Composition in the Visual Arts (1982), and Art and Visual Perception: A Psychology of the Creative Eye (1954). He lived in Germany, Italy, England, and the United States.
Arnheim, Gestalt Theory and Pictures - JSTOR
- https://www.jstor.org/stable/20715585
- Gestalt psychology, led by Rudolf Arn heim, has made vital contributions to rethinking the nature of pictures. In this essay I wish to point out these contri butions and show how research on the blind and Arnheim's ideas illuminate one another. In particular, I will describe the mentalistic approach to perception to which we eventually will be led.
Art and Visual Perception by Rudolph Arnheim
- https://www.academia.edu/17883222/Art_and_Visual_Perception_by_Rudolph_Arnheim
- 6) 1 Balance “Visual experience is dynamic”. (p. 11) Psychological Forces : What a person perceives is not only an arrangement of objects, col- ors, shapes, movements and sizes, but, perhaps first of all, an interplay of directed tensions. The latter are inherent in any percept. Because they have magnitude and direction they are called ...
RUDOLF ARNHEIM - academic.uprm.edu
- https://academic.uprm.edu/mleonard/theorydocs/readings/Arnheim.pdf
- First of all, film is a visual art which tells its stories to the eyes—even when sound is also used. Second, the pictures that tell the story are obtained mechanically by photography, that is, they can portray reality. * Rudolf Arnheim, "Epic and Dramatic Film," Film Culture, Vol. 3, …
Art and Visual Perception by Rudolph Arnheim
- https://erickimphotography.com/blog/wp-content/uploads/2017/08/art-and-visual-perception.pdf
- tracted (in most part) from Rudolf Arnheim’s wonderful book [1]. fiVision is not a mechanical recording of elements but rather the apprehension of signicant structural patterns.fl (p. 6) 1 Balance ... The nature of these brain processes is such that they can be thought of as eld processes where interactions between the parts and the whole are
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