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(PDF) The Virtual Life of Photography | Sarah Kember
- https://www.academia.edu/8098953/The_Virtual_Life_of_Photography
- The premise of this article is that although photography is proliferating and diversifying, we still do not know what it is. In order to find out what it is, we must look at it from both the outside and the inside: we must consider both the condition ... The Virtual Life of Photography. Sarah Kember. Download Download PDF. Full PDF Package ...
The Virtual Life of Photography - Goldsmiths Research …
- https://research.gold.ac.uk/id/eprint/4167/
- Kember, Sarah. 2008. The Virtual Life of Photography. Photographies, 1(2), pp. 175-203. ISSN 1754-0763 [Article] ... as an ontology of becoming, constitutes the virtual life of photography, and intuition, as a method of understanding, enables us to apprehend it. Item Type: Article Identification Number (DOI):
THE VIRTUAL LIFE OF PHOTOGRAPHY | Semantic Scholar
- https://www.semanticscholar.org/paper/THE-VIRTUAL-LIFE-OF-PHOTOGRAPHY-Kember/4376c275f15201f4986d60eadda6d284da0e9655
- The premise of this article is that although photography is proliferating and diversifying, we still do not know what it is. In order to find out what it is, we must look at it from both the outside and the inside: we must consider both the condition of photography, and its ontology. New media studies, science and technology studies, and other related fields help to illuminate the …
The virtual life of photography - ResearchGate
- https://www.researchgate.net/publication/249057626_The_virtual_life_of_photography
- In 'The Virtual Life of Photography' I ran Bergson past Roland Barthes in order to argue for a dynamic relation between the photograph and photography, …
Sarah Kember
- https://www.sarah-kember.com/bio.html
- Sarah Kember is a writer, publisher and academic. ... The gendering of objects, environments and smart materials (Palgrave, 2016) and Life After New Media: Mediation as a Vital Process (The MIT Press, 2012). Sarah co-edits the journal Feminist Theory. Previous publications include: Virtual Anxiety. Photography, New Technologies and Subjectivity ...
The Virtual Life of Photography - CORE
- https://core.ac.uk/display/110839
- The Virtual Life of Photography - CORE unknown 10.1080/17540760802285239 The Virtual Life of Photography Sarah Kember 31 August 2008 'Informa UK Limited' Abstract The premise of this article is that although photography is proliferating and diversifying, we still do not know what it is.
Professor Sarah Kember | Goldsmiths, University of London
- https://www.gold.ac.uk/media-communications/staff/kember/
- She also works on imaging technologies and the relationship between photography and the digital and, as a writer as well as acedemic, she explores the ‘fusion’ of science and literary fiction. Teaching. Sarah Kember convenes MA Digital Media and teaches the option course for the MA Digital Media - Digital Media, Critical Perspectives. She also offers a masterclass on the online, …
Sarah Kember
- https://www.sarah-kember.com/
- Contact. Ellen Parnavelas [email protected]. Sarah Kember [email protected]. Guy Sewell [email protected]. Blogs and Opinion Pieces. Goldsmiths Press is commissioning blogs, opinion pieces, essays and speculative writing from UK and international scholars that reflect on the current pandemic from the perspective of social, economic ...
Sarah Kember | Goldsmiths Press
- https://www.gold.ac.uk/goldsmiths-press/about/sarah-kember/
- Email: s.kember (@gold.ac.uk) Tel: 0207 919 7258. Sarah Kember is Professor of New Technologies of Communication at Goldsmiths, University of London and Director of Goldsmiths Press. Her work incorporates new media, photography and feminist cultural approaches to science and technology.
Ambient intelligent photography | Sarah Kember | Taylor & Francis …
- https://www.taylorfrancis.com/chapters/edit/10.4324/9780203797563-10/ambient-intelligent-photography-sarah-kember
- By Sarah Kember. Book The Photographic Image in Digital Culture. ... and led to arguments, my own included, for a more expanded and expansive discipline (Kember 2008). Crucially, this expansion exceeds an account of photography as a new, new medium: social, networked, user-based, amateur, personal and vernacular (Batchen 2002; Rubenstein and ...
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