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Stephen Gill Photograph

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Stephen Gill (photographer) - Wikipedia

    https://en.wikipedia.org/wiki/Stephen_Gill_(photographer)
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Buried - Photographs by Stephen Gill | LensCulture

    https://www.lensculture.com/articles/stephen-gill-buried
    Ever-relentless in his pursuit of joy with photography, Stephen Gill chose to collaborate with a physical place this time — not only photographing it, but also then burying his photographic prints to see what the place would add (or subtract). The results are, well, earthy and conceptual, to say the least. Stephen Gill seems like one of the ...

portfolio » About - Stephen Gill

    https://www.stephengill.co.uk/portfolio/about
    Stephen Gill (b. 1971, Bristol, UK) became interested in photography in his early childhood, thanks to his father and interest in insects and initial obsession with collecting bits of pond life to inspect under his microscope.. Stephen’s photographs are held in various private and public collections and have also been exhibited at many international galleries and museums including London’s ...

Stephen Gill | photography

    https://mollybrydie.wixsite.com/photography/stephen-gill
    Stephen Gill is photographer who is most known for his experimental and minimal photographs of East London, attention to small details. Many of his photographs he taken are in east London of Stephen going about his daily life and are taken using an old camera so the images are of a poor quality. With his images he has then over laid different ...

Stephen Gill | LensCulture

    https://www.lensculture.com/stephen-gill
    About Stephen Gill. Born Bristol, UK 1971. Lives in London. Stephen Gill was introduced to photography at an early age by his father, and his first photographs reflected his interests in birds, animals and music. Stephen’s photographs are now held in various private and public collections and have also been exhibited at many international ...

Stephen Gill: “I’m Still Amazed I Turned Photography into …

    https://elephant.art/stephen-gill-im-still-amazed-i-turned-photography-into-something-i-do-for-a-living-10112021/
    His award-winning project The Pillar (2015-19) shows birds sitting on a post in rural Sweden, where he now lives with his family. The birds were photographed automatically by a motion-sensor camera, triggered by their movement. Night Procession (2014-17) was also shot in Sweden with motion sensors, and records animals in the dark.

The Pillar by Stephen Gill - 1854 Photography

    https://www.1854.photography/2019/07/the-pillar-by-stephen-gill/
    The Pillar is the latest of Gill’s 20 self-published photobooks and follows on from Night Procession, for which he used a lo-fi motion sensor camera to photograph wild animals as they roamed the night. Similarly for The Pillar, Gill set up a camera in a nearby farm, opposite a pillar of wood. He knew birds were up there, and hoped to funnel ...

Stephen Gill

    https://www.stephengill.co.uk/portfolio/news
    New Catalogue – Coinciding with the recent major autumn exhibition Coming up for Air: Stephen Gill – A Retrospective (16 October 2021 to 16 January 2022), this enthralling publication encompasses over 40 years of practice (from 1982 to 2021), featuring some of Gill’s first photographs (taken as a child), and selected images from Gill’s best-known series, such as the …

Stephen Gill on memory, nature and home - 1854 Photography

    https://www.1854.photography/2022/01/stephen-gill-bristol-arnolfini-retrospective-interview/
    As his landmark retrospective at Bristol’s Arnolfini gallery closes this weekend, Gill reflects on his prolific career. “I wonder if photographers have weak memories,” Stephen Gill muses. “They’re constantly downloading [images in their minds]. Perhaps your memory gets lazy, like using a calculator to do simple maths.

Stephen Gill: the escape artist | Financial Times

    https://www.ft.com/content/24f6768d-ecdc-424f-a066-b5c0cb71108a
    Gill found himself questioning one of photography’s most fundamental strengths as an art form: its ability to capture the moment with truth and precision. “I began to lose faith in it,” he says.

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