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Alfred Stieglitz (1864–1946) and American Photography
- https://www.metmuseum.org/toah/hd/stgp/hd_stgp.htm
- Alfred Stieglitz Lisa Hostetler Department of Photographs, The Metropolitan Museum of Art October 2004 Born in Hoboken, New Jersey, in 1864, and schooled as an engineer in Germany, Alfred Stieglitz returned to New York in 1890 determined to prove that photography was a medium as capable of artistic expression as painting or sculpture.
Alfred Stieglitz Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/stieglitz-alfred/
- Although Stieglitz studied to be a mechanical engineer, he purchased his first camera in 1882 and shot vistas of the German countryside. Indulging his newfound appetite for photography, the self-taught artist practiced, researched, and theorized about this instant medium.
The Alfred Stieglitz Collection
- https://archive.artic.edu/stieglitz/
- A TRAILBLAZING PHOTOGRAPHER who vigorously championed photography as a fine art, Alfred Stieglitz also played a lead role in the u0003development of modern art in the United States during the first half of the 20th century.
History of Photography: The Stieglitz Group - Photofocus
- https://photofocus.com/photography/history-of-photography-the-stieglitz-group/
- Stieglitz was a big fan of his work and allowed Steichen to join his 291 Gallery in New York. He featured many of his photographs in “Camera Work” magazine. Steichen was prolific with the work he produced. Stieglitz offered popular venues for showing it to the world. Steichen quickly became one best-known known photographers of the movement.
The Alfred Stieglitz Collection | Straight Photography
- https://archive.artic.edu/stieglitz/straight-photography/
- Nearly a decade later Stieglitz would begin to focus on straight photography in his own work, a change that paralleled his discovery and exhibition of modern painting, drawing, and sculpture at 291. In a 1916 letter, Stieglitz described his most recent work as “intensely direct. . . . Not a trace of hand work on either negative or prints.
Alfred Stieglitz | International Photography Hall of Fame
- https://iphf.org/inductees/alfred-stieglitz/
- Alfred Stieglitz is undoubtedly one of the most significant contributors to the history of photography. He contributed not only scientific and artistic photographic studies, but also introduced modern art to America and furthered the theory of photography as art. Stieglitz was born in Hoboken, New Jersey on January 1, 1864.
Alfred Stieglitz - 15 artworks - photography - WikiArt
- https://www.wikiart.org/en/alfred-stieglitz
- Alfred Stieglitz (January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his fifty-year career in …
Alfred Stieglitz and Early Modern Photography - Museum …
- https://www.mfa.org/exhibitions/alfred-stieglitz-and-early-modern-photography
- Alfred Stieglitz and Early Modern Photography September 14–December 29, 1996 Alfred Stieglitz (1864-1946), photographer, editor and gallery owner, was the key figure in America's acceptance of photography as a serious form of artistic expression. He was also a passionate promoter of modernist art, both European and American.
Alfred Stieglitz and Camera Work | Cleveland Museum of …
- https://www.clevelandart.org/research/in-the-library/collection-in-focus/alfred-stieglitz-and-camera-work
- Alfred Stieglitz and Camera Work Alfred Stieglitz, photographer, editor, writer, and gallery owner, was an integral figure in the development of 20th century photography and modern art in America at the turn-of-the-century. Born in Hoboken, New Jersey in 1864, Stieglitz became fascinated with photography at an early age.
Stieglitz and Straight Photography - Scalar
- https://scalar.chapman.edu/scalar/ah-331-history-of-photography-spring-2021-compendium/dane-forsum-essay-3
- Stieglitz’s move to straight photography marks a huge leap in the understanding of photography as an artform. Before The Steerage the effort of artist’s was an attempt to recreate the grand themes of painting into photography; the emotion of scenes, the effect of …
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