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Brisbane based photographer

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The Original Copy Photography Of Sculpture

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The Original Copy: Photography of Sculpture: 1839 to …

    https://www.amazon.com/Original-Copy-Photography-Sculpture-Today/dp/0870707574
    Through a selection of nearly 300 outstanding pictures by more than 100 artists from the nineteenth century to the present, The Original Copy looks at how and …

The Original Copy: Photography of Sculpture 1839 to Today

    https://www.moma.org/interactives/exhibitions/2010/originalcopy/
    The Original Copy presents a critical examination of the intersections between photography and sculpture, exploring how the one medium has been implicated in the analysis and creative redefinition of the other. Bringing together three …

The Original Copy : Photography of Sculpture, 1839 to …

    https://books.google.com/books/about/The_Original_Copy.html?id=cyKo9McXCqMC
    11 rows

The Original Copy: Photography of Sculpture, 1839 to Today

    https://www.moma.org/calendar/exhibitions/969
    The Original Copy: Photography of Sculpture, 1839 to Today presents a critical examination of the intersections between photography and sculpture, exploring how the one medium has become implicated in the understanding of the other. Through a selection of nearly 300 outstanding pictures by more than 100 artists from the dawn of modernism to the present, …

The original copy : photography of sculpture, 1839 to today

    https://archive.org/details/originalcopyphot00geof
    The original copy: photography of sculpture, 1839 to today / Roxana Marcoci -- An almost unlimited variety: photography and sculpture in the nineteenth century / Geoffrey Batchen -- From sculpture in photography to photography as plastic art / Tobia Bezzola -- Plates, with introductions / Roxana Marcoci -- I. Sculpture in the age of photography -- II.

The Original Copy: Photography of Sculpture, 1839 to Today

    https://www.artbook.com/9780870707575.html
    Through a selection of nearly 300 outstanding pictures by more than 100 artists from the nineteenth century to the present, The Original Copy looks at how and why sculpture became a photographic subject and how photography at once informs and challenges our knowledge of sculpture. The images range in subject from inanimate objects to performing bodies, and …

The Original Copy: Photography of Sculpture, 1839 to Today

    https://www.goodreads.com/book/show/8359802-the-original-copy
    The Original Copy: Photography of Sculpture, 1839 to Today by Roxana Marcoci (Editor) 4.18 · Rating details · 11 ratings · 0 reviews Since its birth in the first half of the nineteenth century, photography has offered extraordinary possibilities of documenting, redefining and disseminating works of art.

The Original Copy: Photography of Sculpture, 1839 to …

    https://store.moma.org/books/exhibition-catalogues/the-original-copy-photography-of-sculpture-1839-to-today---hardcover/757-757.html
    The Original Copy presents a critical examination of the intersections between photography and sculpture, exploring how the one medium has become implicated in the understanding of the other. Through a selection of 300 pictures by more than 100 artists from the nineteenth century to the present, this volume looks at how and why sculpture became a photographic subject.

Original Copy Photography Sculpture - AbeBooks

    https://www.abebooks.com/book-search/title/original-copy-photography-sculpture/
    The Original Copy: Photography of Sculpture: 1839 to Today by Marcoci, Roxana and a great selection of related books, art and collectibles available now at AbeBooks.com.

The Original Copy Sculpture and Photography

    https://www.artbook.com/blog-original-copy.html
    Published for a show at The Museum of Modern Art in New York, The Original Copy proposes an intriguing corollary to Mallarmé's famous dictum that "everything in the world exists in order to end up as a book": that all sculpture exists to end up as a photograph, that this fact affords a further creative-interpretive occasion and that the photographing of sculpture constitutes its …

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