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The Politics of Media: Ben Shahn and Photography: …
- https://www.amazon.com/Politics-Media-Ben-Shahn-Photography/dp/B003X60UB2
- The Politics of Media: Ben Shahn and Photography. Skip to main content.us. Hello Select your address Books Hello, Sign in. Account & Lists Returns & Orders. Cart All. Best Sellers Customer Service Prime ...
The Politics of Media: Painting and Photography in the …
- https://www.semanticscholar.org/paper/The-Politics-of-Media%3A-Painting-and-Photography-in-Katzman/5cfc4b64626a1fb50613291c81636b024d35ff19
- ion.'? This kind of media promotion has occurred blatantly in discussions about one of Shahn's most celebrated paintings, Handball (fig. 1), and the photograph to which it relates (fig. 2). Soby, for example, in a letter to Shahn at the time of the 1947 MoMA exhibit, noted how different the painting and photograph are in conception: "I read one review which seemed to claim that …
The Politics of Media: Painting and Photography in the …
- https://www.journals.uchicago.edu/doi/abs/10.1086/424177
- The Politics of Media: Painting and Photography in the Art of Ben Shahn. Laura Katzman
Art and Politics in the 1940s: Ben Shahn - Harvard Art …
- https://harvardartmuseums.org/article/art-and-politics-in-the-1940s-ben-shahn
- One of Shahn’s most direct engagements with politics came in the mid-1940s, when he was hired as chief artist of the Graphics Division for the newly created Political Action Committee (PAC) of the Congress of Industrial Organizations (CIO), a federation of labor unions. This was a fitting position for Shahn, who had participated in efforts to ...
Ben Shahn | International Center of Photography
- https://www.icp.org/browse/archive/constituents/ben-shahn
- In the 1930s, Shahn was employed as an artist at the Resettlement Administration in Washington DC, where from 1935 to 1938 he also worked in a part-time position in Roy Stryker's photography department. Shahn exploited the portability of the 35mm camera to capture his subjects in an informal and spontaneous manner; he used a Leica with a right-angle viewfinder that enabled …
Ben Shahn’s New York: The Photography of Modern …
- https://greyartgallery.nyu.edu/exhibition/ben-shahn-111400-012701/
- The development of Shahn’s social-realist vision was infused by his commitment to leftist politics and his interest in the cultural force of mass media during the 1930s. Shahn first became interested in photography at a time when rotogravure reproductions of photographs in newspapers and magazines served as essential source material for his polemic paintings and …
PHOTOGRAPHY REVIEW; The Shahn Who Could Break …
- https://www.nytimes.com/1995/02/17/arts/photography-review-the-shahn-who-could-break-free-of-politics.html
- Shahn was already widely known for his politically oriented paintings when he took up the camera in the early 1930's. Armed with technical advice from Walker Evans, with whom he shared a studio,...
Photographer: Ben Shahn - loc.gov
- https://www.loc.gov/static/collections/fsa-owi-black-and-white-negatives/articles-and-essays/documenting-america/cotton-pickers.html
- Ben Shahn made two important contributions to the newly formed Historical Section in 1935. First, of course, were the photographs he himself added to the agency's file. The portion dating from 1935 is small--less than 2 percent of the eight-year accumulation--but about one-third of those early images are Shahn's.
Ben Shahn Paintings, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/shahn-ben/
- Ben Shahn's 45 foot long x 12 feet high Jersey Homesteads Mural recounts the grand narrative of the Jewish exodus to the United States (1880- 1924), the Jews' quest for a decent livelihood in the punishing sweat shops of the unregulated garment trade, and the importance of Jewish labor unions. The left panel begins in 1930s Germany where a Nazi soldier holds a sign warning …
Ben Shahn's New York: The Photography of Modern Times
- https://tfaoi.org/aa/1aa/1aa170.htm
- (left: Ben Shahn (1898-1969), Three Men, 1939. Tempera on paper, mounted to Masonite, 45 x 76.8 cm. Louis Agassiz Shaw Bequest and the Richard Norton Memorial Fund.) By the early 1930s, Ben Shahn propelled himself into the vanguard of social documentary practice when he began to make his own photographs. Using a handheld 35 mm Leica camera, Shahn captured …
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