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17 Lessons Walker Evans Has Taught Me About Street Photography
- https://erickimphotography.com/blog/2013/09/05/17-lessons-walker-evans-has-taught-me-about-street-photography/
- One of the most controversial things that Walker Evans said when it came to color photography. To paraphrase, he referred to color photography as “vulgar” and that black and white was the true medium for photography. However a few years after he said that, he actually started to experiment with color photography with a Polaroid camera.
Walker Evans: early and late - The Magazine Antiques
- https://www.themagazineantiques.com/article/walker-evans-early-and-late/
- “Color tends to corrupt photography,” Evans would write a generation later, “and absolute color corrupts it absolutely. There are four simple words for the matter, which must be whispered: Color-photography is vulgar.”2. And yet, in the final decades of his career, Evans seemed, in spite of himself, to be conspicuously drawn to color.
Walker Evans and Stephen Shore at the Rencontres de la …
- https://journals.openedition.org/miranda/8411
- Evans considered colour photography “vulgar” and valid only “[w]hen the point of a picture is precisely its vulgarity or its color-accident through man’s …
Walker Evans - Truth in Photography
- https://www.truthinphotography.org/walker-evans.html
- Walker Evans, 1937. Photograph by Edwin Locke. “In the 1900’s, sending and saving picture postcards was a prevalent and often deadly boring fad in a million middle-class family homes. Yet the plethora of cards printed in that period now forms a solid bank from which to draw some of the most charming and, on occasion, the most horrid ...
Color Photography: The Walker Evans Legacy and The ... - Artforum
- https://www.artforum.com/print/197809/color-photography-the-walker-evans-legacy-and-the-commercial-tradition-35923
- RECENT COLOR PHOTOGRAPHY HAS BEEN both acclaimed and condemned for owing its inspiration to vernacular images. In William Eggleston’s Guide, John Szarkowski claims that “today’s most radical and suggestive color photography derives much of its vigor from commonplace models,” situating Eggleston and others in a tradition derived from the …
Tracking the Decade When Color Photography Rose - The New …
- https://www.nytimes.com/2010/08/08/nyregion/08artsnj.html
- Aug. 6, 2010. “Black and white are the colors of photography,” Robert Frank declared. “Color photography is vulgar,” Walker Evans once wrote in an essay. And Ansel Adams weighed in on a ...
Walker Evans: Polaroids (A review): Evans as Visual Poet
- https://www.photo.net/discuss/threads/walker-evans-polaroids-a-review-evans-as-visual-poet.75058/
- Walker Evans, on the other hand, was almost the opposite of Adams in his approach to the finished photograph: His approach centered more on a refinement of composition, and of excising the non-essential and extraneous from his final prints. Yet, along with Adams, he shared a disdain for colour photography -- both found it to be 'garish,' 'vulgar.'
ART REVIEW; Walker Evans Found the Poetry in Life ... - The New …
- https://www.nytimes.com/1998/09/18/arts/art-review-walker-evans-found-the-poetry-in-life-s-unvarnished-details.html
- He took it up after years of denouncing color photography as vulgar and made about 2,400 color Polaroids. The show ends with two examples, small glowing images of street graffiti. The...
Ernst Haas and the Color Underground: Design Observer
- https://designobserver.com/article.php?id=32268
- As Walker Evans famously put it, “there are four simple words which must be whispered: color photography is vulgar.” Color was identified with commerce, with manipulative advertising and crowd-pleasing stories about the stars in popular magazines. The color picture was too …
Why Saul Leiter Kept His Colorful Street Photography Secret for
- https://www.artsy.net/article/artsy-editorial-artist-dreamy-colorful-street-photography-secret-decades
- Walker Evans called color photography “vulgar,” and his contemporaries like Robert Frank and Ansel Adams agreed. When William Eggleston, Helen Levitt, and Stephen Shore ushered in the era of color in the 1970s, Leiter, a private man who never sought fame, was barely a footnote.
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