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Walker Evans: Photographs of Nineteenth-Century …
- https://www.moma.org/calendar/exhibitions/2061
- Walker Evans. American, 1903–1975 69 exhibitions, 363 works online. Licensing. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation …
Walker Evans - Photographs from the Collection of the …
- https://www.phillips.com/detail/WALKER-EVANS/UK040314/47
- View 19th Century Gingerbread House, Oak Bluffs, Massachusetts by Walker Evans sold at Photographs from the Collection of the Art Institute of Chicago on London 18 November 2014 2pm. Learn more about the piece and artist, and its …
Walker Evans Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/evans-walker/
- The photographs of Walker Evans told the story of American working-class life with an exacting frankness that was truly revolutionary for its time. His iconic portrait of Allie Mae Burroughs - a farmer's wife, and mother of four - whose unforgettable eyes seem to stare right through us - is one of the most firmly embedded images in American ...
Walker Evans | Object:Photo | MoMA
- https://www.moma.org/interactives/objectphoto/artists/1777.html
- Walker Evans: Photographs of 19th Century Houses, the first monographic photography exhibition at The Museum of Modern Art. Participant: Walker Evans. New York: 1935 : Peter Sekaer becomes Walker Evans's assistant; they work …
Walker Evans American Photographs - Portland Museum …
- https://www.portlandmuseum.org/walker-evans
- American Photographs. September 10 - December 5, 2021. To commemorate the 75th anniversary of Walker Evans’ landmark photography exhibition at MoMA and the influential accompanying publication, this selection of Evans works presents a portrait of the United States during a decade of profound transformation. Explore the Audio Guide.
Walker Evans (1903 - 1975) : Free Download, Borrow
- https://archive.org/details/WalkerEvansNewOrleansStreetCorner
- In 1931, he made a photo series of Victorian houses in the Boston vicinity sponsored by Lincoln Kirstein. In May and June 1933, Evans took photographs in Cuba on assignment for Lippincott, the publisher of Carleton Beals' The Crime of Cuba (1933), a "strident account" of the dictatorship of Gerardo Machado.
The Exacting Eye of Walker Evans - Florence Griswold …
- https://florencegriswoldmuseum.org/exhibitions/online/the-exacting-eye-of-walker-evans/
- The photographer Walker Evans (1903-1975) captured a place in American social, cultural, and artistic history with his unforgettable images of the Great Depression. This website was created in conjunction with the exhibition, The Exacting Eye of Walker Evans, on view at the Florence Griswold Museum from October 1, 2011 through January 29, 2012. Engaging with his later …
Walker Evans | Artnet
- https://artnet.com/artists/walker-evans/
- Walker Evans was a renowned American photographer known for his black-and-white images documenting the impact of the Great Depression. As an artist, Evans disliked the formal photography like that of Alfred Stieglitz. Instead, he aimed to capture the quotidian beauty and diaristic events of daily life. “I used to try to figure out precisely what I was seeing all the time, …
On Photography: Walker Evans, 1903-1975 - Photofocus
- https://photofocus.com/inspiration/on-photography-walker-evans-1903-1975/
- Walker Evans, photographer The New York subway portraits. For three years concluding in 1941, Walker Evans photographed portraits in the subway. They weren’t published until 1966, 25 years later. “Many Are Called” published by Houghton Mifflin contained 89 photographs. The introduction had been written in 1940 by James Agee.
Homeless Houses: Classifying Walker Evans's …
- https://academic.oup.com/oaj/article/33/2/189/1394444
- In the December 1933 issue of the Museum of Modern Art Bulletin, Lincoln Kirstein announced a small exhibition of thirty-nine photographs of Victorian architecture by Walker Evans that he had assembled in the museum's Architecture room. 1 He provided a pithy analysis of the work and a meditation on the medium itself:
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