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Walter Benjamin Photography Aura

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Theory in Studio: Walter Benjamin and the Concept of Aura

    https://burnaway.org/magazine/theory-in-studio-walter-benjamin-and-the-concept-of-aura/
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Walter Benjamin Aura of Photography - [PDF Document]

    https://vdocument.in/walter-benjamin-aura-of-photography.html
    Walter Benjamins notion of the aura has emerged as one of his most recognizable and widely used theoretical concepts. Defined in historical, aesthetic, and psychological opposition to the techniques of mechanical reproduction, aura has become a common theoretical currency across the arts and humanities.

Imaginary Encounters: Walter Benjamin and the Aura of …

    https://read.dukeupress.edu/poetics-today/article/29/1/79/20953/Imaginary-Encounters-Walter-Benjamin-and-the-Aura
    Benjamin's writings on photography thus develop an alternative concept of aura, one which transcends fixed historical or technological categories through the model of an imaginary encounter between viewer and image.

Walter Benjamin Aura of Photography - DocShare.tips

    http://docshare.tips/walter-benjamin-aura-of-photography_5878f484b6d87f7d618b4c7a.html
    Walter Benjamin’s notion of the “aura” has emerged as one of his most recognizable and widely used theoretical concepts. Defined in historical, aesthetic, and psychological opposition to the techniques of mechanical reproduction, aura has become a common theoretical currency across the arts and humanities.

Walter Benjamin on photography and film | viz.

    https://viz.dwrl.utexas.edu/old/content/walter-benjamin-photography-and-film.html
    Because mechanically-reproduced art has no claim to authenticity by means of singularity or originality, Benjamin posits it loses some of its connection or essence. He coins the term “ aura ” to encompass that which the painting has but the photograph lacks—the aura is all the contexts a thing gathers since its inception.

Walter Benjamin's concept of "Aura" and Authenticity in …

    https://culturalstudiesnow.blogspot.com/2013/05/walter-benjamins-concept-of-aura-and.html
    For Benjamin, an aura can be possessed only the original work of art. The aura distinguished the viewer from the work and creates the necessary detachment for a true aesthetic experience. This detachment is what allows, according to Benjamin in "The Work of Art in the Age of Mechanical Reproduction", the authenticity of the artwork.

How Time and Space Converge to Evoke Walter …

    https://bookoblivion.com/2019/05/13/walter-benjamin-aura/
    Despite the immaterial connotations of the word, Walter Benjamin’s aura is visceral. Aura describes the kind of embodied sensation that Benjamin celebrates. The aura is a spirit that brings soul, eye, and hand together to “intensify the impression.” This spirit – this aura – influences his posture not toward art but the world.

Walter Benjamin Overview and Analysis | TheArtStory

    https://www.theartstory.org/influencer/benjamin-walter/
    Summary of Walter Benjamin. Walter Benjamin was one of the most important thinkers of the 20 th century, having published a range of works on culture and society. But he is perhaps still best known for his ideas on art and authenticity; challenging, as he did, the assumption that the original artwork was more valuable to society than the photographic reproduction of that artwork.

Benjamin's Aura - YouTube

    https://www.youtube.com/watch?v=I81mixHHgKk
    Walter Benjamin writes that photographs lack the "aura," an essential characteristic of other forms of art. The family photo album compensates for this loss of the aura through cultural values and...

WALTER BENJAMIN’S AURA CONCEPT IN THE DISCOURSE …

    https://ephd.cz/wp-content/uploads/2017/ephd_2017_3_3/17.pdf
    can demonstrate the aura better than Van Gogh’s paintings, where to all things – as you can describe it – it [the aura] is drawn-to (mitgemalt)” 5. More consistently Walter Benjamin defines the aura in A Short History of Photography (1931) 6. Addressing a history of the art of photography, he describes the movement from the ...

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