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Brisbane based photographer

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What Are Ambrotypes Photography

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Ambrotype - Paris Photo

    https://www.parisphoto.com/en-gb/fair/glossary/ambrotype.html#:~:text=The%20ambrotype%20is%20a%20direct%20positive%20monochrome%20photographic,linked%20to%20the%20durability%20of%20the%20glass%20base.
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Ambrotype - Wikipedia

    https://en.wikipedia.org/wiki/Ambrotype
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Ambrotype photography — Photocritic Photo School

    http://www.photocritic.org/articles/ambrotype-photography
    The ambrotype process is a photographic process that creates a positive photographic image on a sheet of glass using the wet plate collodion process. It was invented by Frederick Scott Archer in the early 1850s, then patented in 1854 by James Ambrose Cutting of Boston, in the United States. This time, it’s your turn….

What is an Ambrotype? - FilterGrade

    https://filtergrade.com/what-is-an-ambrotype/
    An ambrotype, in short, is an early form of a photograph in which the photo is created by placing a glass negative against a dark background. Ambrotypes were introduced in the 1850’s and are commonly called ‘collodion positives’ because you are creating a positive photo on glass by a variant of the wet plate collodion process.

ambrotype | photography | Britannica

    https://www.britannica.com/technology/ambrotype
    In history of photography: Development of the wet collodion process …positive images on glass called ambrotypes, which were simply underexposed or bleached negatives that appeared positive when placed against a dark coating or backing.

Ambrotype - The Historic New Orleans Collection

    https://www.hnoc.org/virtual/daguerreotype-digital/ambrotype
    Ambrotypes, which resembled but cost less than daguerreotypes, were made using the collodion wet plate process that was also used to make negatives. The name “ambrotype” was devised by Philadelphia daguerreotypist Marcus A. Root in 1855, from the Greek ambrotos, meaning “imperishable.”. Although James Ambrose Cutting of Boston received three patents relating to …

Antique Ambrotype Photographs | Collectors Weekly

    https://www.collectorsweekly.com/photographs/ambrotypes
    Double-pane glass was used from 1854 to 1858, single sheets were in vogue from 1856 to 1864, and the ruby glass appeared around 1857. Until the ambrotype came along in 1851, when an Englishman named Frederick Scott Archer developed an inexpensive technique to expose photographic images on thin sheets of glass, the daguerreotype was the only ...

Photographic Processes: Ambrotypes (Prints and …

    https://www.loc.gov/rr/print/coll/589_ambrotype.html
    Description: A direct-image photograph commonly associated with the daguerreotype, because it was often made in a similar size and kept in a case. The ambrotype is essentially an underexposed or "thin" collodion glass negative with dark material placed behind it. This causes the negative to appear as a positive image.

Ambrotypes and Tintypes - Photofocus

    https://photofocus.com/photography/ambrotypes-and-tintypes/
    Ambrotypes are made from the collodion process but were a positive-looking image on glass. Like daguerreotypes, it produced a one of a kind image, laterally reversed, had similar sizing, and were displayed in similar keepsake cases which often lead to ambrotypes being often called “daguerreotypes on glass”.

photography : ambrotype

    https://www.histclo.com/photo/photo/type/photo-ambro.html
    Apparently by the mid-1850s the Ambrotype had become the dominant form of photographic portraiture in the United States. Ambrotypes were made from the 1850s through the early 1860s. The were, however, by the mid-1860s, increasingly replaced by negative photography--especially the cartes-de-visite (CDV). The fact that the Ambrotype was such a …

The Ambrotype: A Practical Guide - AlternativePhotography.com

    https://www.alternativephotography.com/the-ambrotype/
    The book. Printed: 124 pages, approximately 160x230mm, colour print. The Ambrotype – A Practical Guide is one of the few comprehensive guides to the magical process of wetplate ambrotype. Over some 120 plus pages it takes the reader through all the issues connecting with shooting ambrotypes, from issues such as the equipment and studio ...

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