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Alfred Stieglitz | American photographer | Britannica
- https://www.britannica.com/biography/Alfred-Stieglitz
- Late in 1905, with the encouragement of his young protégé Steichen, Stieglitz opened the Little Galleries of the Photo-Secession, a name soon shortened to 291, the gallery’s address on lower Fifth Avenue in New York City. During the gallery’s first four years it most often functioned as an exhibition space for the Photo-Secession photographers.
Alfred Stieglitz: Sharing Photography With NYC - Culture Trip
- https://theculturetrip.com/north-america/usa/new-york/new-york-city/articles/alfred-stieglitz-sharing-photography-with-nyc/
- A Snapshot: Paris, 1911 (one of two with same title) | © Alfred Stieglitz/wikicommons. Propelled by the success of Camera Notes, Stieglitz began working on an independent magazine featuring the work of many Pictorial photographers, most of which were affiliated with his recently established Photo Succession Movement.
Alfred Stieglitz | International Photography Hall of Fame
- https://iphf.org/inductees/alfred-stieglitz/
- By the 1890s Stieglitz had established an international reputation for advancements in photographic chemistry and producing fine artistic photographs and decided move to New York City. Upon Stieglitz’s arrival to New York, his father purchased a portion of the Heliochrome Company, (later known as the Photochrome Engraving Company) for him to run.
On Photography: Alfred Stieglitz, 1864-1946 - Photofocus
- https://photofocus.com/inspiration/on-photography-alfred-stieglitz-1864-1946/
- New York City. By the 1890s, Stieglitz had a reputation both in advancing photography technically as well as for his artistic photographs. He moved to New York City. His father purchased a share of the Polychrome Engraving Company for Stieglitz to run.
Alfred Stieglitz Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/stieglitz-alfred/
- From the Back Window at 291. This nighttime scene was taken from the window of Stieglitz's famous avant-garde gallery. The photo is dominated by the geometric lines of New York's cityscape, using the rich range of tone the camera affords to depict the drama of the city by night.
Alfred Stieglitz (1864–1946) and American Photography
- https://www.metmuseum.org/toah/hd/stgp/ho_58.577.11.htm
- Alfred Stieglitz returned to New York in 1890 determined to prove that photography was a medium as capable of artistic expression as painting or sculpture. ... These pictures, virtuoso compositions that emphasize the geometric forms of the city as seen from an upper floor of a modern skyscraper, are also exquisitely constructed and printed and ...
Alfred Stieglitz and the photos on Lake Como
- https://mylakecomo.co/en/art/alfred-stieglitz-photos-lake-como/
- Alfred Stieglitz, one of the greatest pillars of American art photography, photographed Lake Como at the end of the nineteenth century
Alfred Stieglitz - The Art Institute of Chicago
- https://www.artic.edu/artists/36809/alfred-stieglitz
- He even served as a juror for the very first photography exhibition at the Art Institute of Chicago, held in 1900. After studying photography in Europe in the 1890s, Stieglitz came home to New York and turned his camera to the streets and buildings of a rapidly changing city.
Alfred Stieglitz - 15 artworks - photography - WikiArt
- https://www.wikiart.org/en/alfred-stieglitz
- Alfred Stieglitz (January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his fifty-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he ...
Alfred Stieglitz | The City of Ambitions | The Metropolitan …
- https://www.metmuseum.org/art/collection/search/269283
- The City of Ambitions. 1910, printed 1910–13. This photograph belongs to a series of dynamic images Stieglitz made of New York of 1910. It appeared in the October 1911 issue of Camera Work along with eight other examples of his lyrical urban modernism--a contemporary vision certainly not lost on Coburn, Struss, and Strand.
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