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The Alfred Stieglitz Collection | Equivalents
- https://archive.artic.edu/stieglitz/equivalents/
- In the summer of 1922, Alfred Stieglitz began to take photographs of clouds, tilting his hand camera towards the sky to produce dizzying and abstract images of their ethereal forms. In an article the following year, Stieglitz maintained that these works were a culmination of everything he had learned about photography in the previous forty years: “Through clouds [I wanted] to put …
V&A · Alfred Stieglitz – Pioneer Of Modern Photography
- https://www.vam.ac.uk/articles/alfred-stieglitz-pioneer-of-modern-photography
- Between 1925 and 1934, Stieglitz took a series of photographs of clouds. The Equivalents , as he came to call them, are some of the first intentionally abstract photographic works of art and have been hailed as his most important contribution to photography.
Alfred Stieglitz – The Art and Works of Photographer Alfred Stieglitz
- https://artincontext.org/alfred-stieglitz/
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Alfred Stieglitz (1864–1946) and American Photography
- https://www.metmuseum.org/toah/hd/stgp/hd_stgp.htm
- Stieglitz’s series of photographs of clouds, which he called Equivalent s ( 49.55.29 ), were made in a similar spirit, embodying this last idea perfectly. The cloud pictures were unmanipulated portraits of the sky that functioned as analogues of Stieglitz’s emotional experience at the moment he snapped the shutter.
Alfred Steiglitz on Photographing Clouds - jnevins.com
- http://jnevins.com/steiglitzclouds.htm
- How I Came to Photograph Clouds. Alfred Steiglitz, The Amateur Photographer & Photography, Vol. 56, No. 1819, p. 255, 1923. Last summer when manuscripts were sent in by the various contributors for the issue of the publication, "M.S.S." devoted to photography, and its aesthetic significance, Waldo Frank—one of America's young literary lights, author of Our America, …
Masters of Photography – Alfred Stieglitz - Krishna Mohan …
- https://drkrishi.com/masters-of-photography-alfred-stieglitz/
- Stieglitz took at least 220 photographs that he called Equivalent or Equivalents; all feature clouds in the sky. The majority of them show only the sky without any horizon, buildings or other objects in the frame, but a small number do include hills or trees. One series from 1927 prominently features poplar trees in the foreground.
Alfred Stieglitz | International Photography Hall of Fame
- https://iphf.org/inductees/alfred-stieglitz/
- And Stieglitz knew. Accomplished photographic scientist, photographer, gallery owner, art dealer, collector and writer, Stieglitz was inducted into the International Photography Hall of Fame and Museum in 1971. Throughout his life, until his death in 1946, he fought for the art and science of photography. A great, fearless fight.
Quote On Photography | Alfred Stieglitz | Equivalents | Cloud …
- http://photonlab.com/2014/04/28/quote-photography-alfred-stieglitz/
- Aric Here’s a quote from Alfred Stieglitz referring to his series of cloud photographs which he called “Equivalents”. “My cloud photographs are equivalents of my most profound life experiences, my basic philosophy of life. All art is an equivalent of the artist’s most profound life experiences.” – Alfred Stieglitz Alfred Stieglitz, Equivalent, 1926
On Photography: Alfred Stieglitz, 1864-1946 - Photofocus
- https://photofocus.com/inspiration/on-photography-alfred-stieglitz-1864-1946/
- Alfred Stieglitz studied at the Berlin Polytechnic and then at Berlin University before emigrating to the United States. He studied physics and chemistry, then in 1883 he bought his first camera. He was entranced by the images. He continued his chemistry studies in earnest. He was able to convince his instructor, Hermann Wilhelm Vogel, and the ...
Alfred Stieglitz Music—A Sequence of Ten Cloud …
- https://www.nga.gov/collection/art-object-page.35979.pdf
- Music—A Sequence of Ten Cloud Photographs, No. I or Clouds in 10 Movements, No. I 1922 gelatin silver print image: 19.4 x 24 cm (7 5/8 x 9 7/16 in.) ... 1983 Photographs by Alfred Stieglitz, National Gallery of Art, Washington, DC, February 3–May 8, 1983; Metropolitan Museum of Art, New York, June 17–August ...
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