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Who is Cindy Sherman? | A Postmodern Portrait of the Artist
- https://headstuff.org/culture/visual-arts/who-is-cindy-sherman-a-postmodern-portrait-of-the-artist/
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Cindy Sherman Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/sherman-cindy/
- Long assumed to be a medium that "mirrors" reality with precision, photography in Sherman's hands simultaneously constructs and critiques its apparent subject. …
Postmodernism: Cindy Sherman and Art Theory - A …
- https://inspiringanimation.wordpress.com/2015/11/02/postmodernism-cindy-sherman-and-art-theory/
- Cindy Sherman is an artist who in her photography is both the photographer and the model. This poses a new role for the field of photography and one that was never done before. The theory she was working under during her series of the Untitled Film Stills was that of Postmodernism. This means that she is finding a new way to express art without the usage of …
Cindy Sherman - The Eye of Photography Magazine
- https://loeildelaphotographie.com/en/cindy-sherman-the-picture-generation-bb/
- The unveiling of the masks. Cindy Sherman’s masks do not hide, they reveal. These are masks seen from the other side, through the eyes of the …
Cindy Sherman | MoMA
- https://www.moma.org/artists/5392
- Sherman has continued to transform herself, displaying the diversity of human types and stereotypes in her images. She often works in series, improvising on themes such as centerfolds (1981) and society portraits (2008). Untitled #216, …
How did Cindy Sherman take her photos? - AdvertisingRow.com
- https://advertisingrow.com/advertising-magazine/how-did-cindy-sherman-take-her-photos/
- Cindy Sherman’s Untitled Film Stills fits neatly, in many ways, into the criteria set out by postmodernism. The series grapples with the idea of the constructed self, and the illusion of identity. …. These aspects are the ones that make Sherman’s debut work such an exemplary example of postmodern art.
Deriving Meaning from Photography: A Look at Cindy Sherman’s …
- https://blogs.commons.georgetown.edu/cctp-725-fall2014/2014/02/17/deriving-meaning-from-photography-a-look-at-cindy-shermans-portraits/
- Cindy Sherman is an American photographer known for her conceptual portraits employing herself as the model. In her History Portraits collection, Sherman photographed herself in costumes, with props and prosthetics, to portray famous artistic figures of the past, like Caravaggio’s Sick Bacchus (Wikipedia 2014). Sherman’s appropriation of ...
How Cindy Sherman’s Artworks Challenge the …
- https://www.thecollector.com/cindy-sherman-iconic-representation-of-women/
- The hair color, attire, make-up, environment, expression, and posing changes in every picture to match a particular stereotype of womanhood. Untitled Film Still #35 by Cindy Sherman, 1979, via MoMA, New York. The characters in Sherman’s photos are often an exaggeration of widely represented female identities.
Cindy Sherman – Master of the “Disguised” Self Portrait – …
- https://schmidtfineartgallery.com/blogs/news/cindy-sherman-master-of-the-disguised-self-portrait
- What makes Cindy Sherman’s work unique is her working in series, typically taking pictures of herself in an assortment of costumes. In order to create her photographs, Sherman is alone in her studio. As such, she takes on multiple roles of hairstylist, make-up artist, director, wardrobe, and model.
Where does Cindy Sherman take her photos? - AdvertisingRow.com
- https://advertisingrow.com/advertising-magazine/where-does-cindy-sherman-take-her-photos/
- Is Cindy Sherman postmodern? Cindy Sherman’s Untitled Film Stills fits neatly, in many ways, into the criteria set out by postmodernism. The series grapples with the idea of the constructed self, and the illusion of identity. … These aspects are the ones that make Sherman’s debut work such an exemplary example of postmodern art.
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