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Breaking Down Stanley Kubrick's Favorite Cameras and …
- https://nofilmschool.com/kubrick-favorite-cameras
- Check out this video essay from Cinema Tyler and then let's dig deep into Kubrick's cameras. Here are a list of the cameras and lenses …
The 20 Cameras and Lenses That Define Stanley Kubrick — Watch
- https://www.indiewire.com/2017/06/stanley-kubrick-cameras-lenses-video-1201849442/
- Explore Kubrick’s 20 essential cameras and lenses in the video essay below. 1. Garflex Pacemaker Speed Graphic Camera 2. Kodak Monitor 620 3. Rolleiflex Automat 6×6 Model RF 111A 4. Rolleiflex K2...
Watch: Meet Stanley Kubrick's Beloved Cameras - No …
- https://nofilmschool.com/2017/06/stanley-kubrick-cameras-lenses-gear
- One of Kubrick's favorite cameras was the Arriflex 35 II C, which he first used on A Clockwork Orange. The director frequently operated on his …
Stanley Kubrick: From 17-Year-Old Photography Prodigy …
- https://photogpedia.com/stanley-kubrick-photography-look-magazine/
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The Kubrick Files Ep. 3 – Kubrick’s Cameras – CinemaTyler
- http://cinematyler.com/archives/786
- When Kubrick worked as a photographer for Look Magazine, he used a Graflex PacemakerSpeed Graphic Camera. This was the main kind of camera used by the American press before the mid-1960s. Kubrick was known to use a Polaroid Pathfinder 110A on his film sets for continuity, but also to test the lighting setups.
The Ultimate Guide to Stanley Kubrick’s Lenses Collection
- https://indiefilmhustle.com/stanley-kubrick-lenses/
- We also discover Kubrick’s most beloved camera was the Arriflex 35 II, which he shot A Clockwork Orange, Barry Lyndon , Full Metal Jacket and Eyes Wide Shut. The Kubrick Files Ep. 3 - Kubrick's Cameras Watch on Here are a list of the cameras and lenses discussed (via IndieWire) 1. Garflex Pacemaker Speed Graphic Camera 2. Kodak Monitor 620 3.
Video explains Kubrick's use of innovative camera tech …
- https://www.dpreview.com/news/0784327645/video-essay-explains-stanley-kubrick-s-use-of-innovative-camera-tech-when-shooting-barry-lyndon
- In the very low light conditions Kubrick had to shoot with the superfast F0.7 lens' aperture fully open, resulting in an extremely shallow depth-of-field. This required re-thinking the way such scenes were staged and demanded reduced actor movement, to avoid mis-focus, but the director felt this helped convey the stilted 18th century atmosphere.
8 Of Stanley Kubrick’s Greatest Technological Innovations
- https://www.popsci.com/technology/article/2012-11/8-stanley-kubricks-greatest-technological-innovations/
- To film scenes illuminated only by candlelight, Kubrick relied on the German company Zeiss, which had recently built a special ultra-fast …
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