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An introduction to 19th century landscape photography
- https://www.slickpic.com/blog/introduction-19th-century-landscape-photography/#:~:text=The%20deadpan%20aesthetic%20is%20a%20cool%2C%20detached%20and,their%20emotional%20investment%20to%20the%20subject%20seems%20removed.
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Biography: 19th Century Architecture photographer Francis Frith
- https://monovisions.com/francis-frith-biography-19th-century-architecture-photographer/
- Francis Frith (1822 - 1898) was an English photographer of the Middle East and many towns in the United Kingdom. Francis Frith came from a Quaker family, Edward Fox being a frequent visitor to their home, and was a deeply religious man, a preacher and writer of prose and verse in his spare time. ... It is this thoughtful approach to photography ...
Francis Frith | International Center of Photography
- https://www.icp.org/browse/archive/constituents/francis-frith
- Frith overcame the adverse climatic conditions, producing his striking photographs in a portable wicker darkroom with wet-plate collodion on glass negatives and the albumen printing process. His striking images from this journey proved so popular that he was able to return to the Middle East twice during the next three years.
Francis Frith - Robert Koch Gallery - Artist - Photographer
- https://kochgallery.com/artists/francis-frith/
- In 1856, he made an extended trip to Egypt and Palestine, photographing with both stereoscopic and large format cameras, and producing the only mammoth plates of Egypt during the period. Extreme conditions of light, dust and heat—Frith’s journals recall the collidon boiling on the plate—led Frith to develop his plates in tombs and caves.
Francis Frith's 19th Century Photos Of Egypt And The …
- https://allthatsinteresting.com/francis-frith-photographs
- In 1856, Francis Frith traveled to Egypt to photograph ancient monuments using a mobile wicker darkroom in the darkest spots he could find. This allowed him to achieve his striking photographic results in a land of overwhelming light and heat.
How Francis Frith created a Photographic Record of Britain
- https://www.francisfrith.com/pages/frith_britain
- Fired by the commercial and artistic success of the photographs taken on his Middle Eastern journeys, Frith decided to create a new business, F. Frith & Co, as the World’s first specialist publisher of photographs. Francis Frith set out to create accurate and unromantic photographs of as many cities, towns and villages of the British Isles as possible and sell copies of the …
Francis Frith: Old Photos, Maps, Books and Gifts
- https://www.francisfrith.com/
- Born into a Quaker family in 1822 in Chesterfield, Derbyshire, Francis Frith was a remarkable person. The story of his life and the photographic archive that is now his legacy is fascinating beyond compare. After almost being lost to bulldozers forever, the photographs his company created are an amazing and unique step back in time and now ...
BBC explores Francis Frith photography - Amateur …
- https://www.amateurphotographer.co.uk/latest/photo-news/bbc-explores-francis-frith-photography-13670
- The BBC will tonight screen the first in a ten-part series of programmes dedicated to the pioneering work of Victorian photographer Francis Frith. Britain?s First Photo Album will showcase dozens of images captured by Frith during his …
Francis Frith - how did he work? and WW1 photographers.
- https://www.ephotozine.com/forums/topic/francis-frith---how-did-he-work---and-ww1-photographers--106987
- Photography forums to discuss digital photography, film photography, photographers, techniques and cameras and equipment, along with advice on buying and using cameras. ... Francis Frith - how did ...
An introduction to 19th century landscape photography
- https://www.slickpic.com/blog/introduction-19th-century-landscape-photography/
- The deadpan aesthetic is a cool, detached and sharp style of photography. It moves art photography outside the sentimental and subjective. Although the 19 th century landscape photography of Francis Frith and Carleton Watkins was most likely seen as exotic at the time, their emotional investment to the subject seems removed. The photographs engage …
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