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Alfred Stieglitz and Photography as Art - SciHi BlogSciHi Blog
- http://scihi.org/alfred-stieglitz-photography-art/
- In 1902, Alfred Stieglitz announced the existence of the organization titled Photo-Secession. It was dedicated to promoting photography as an art form. Next to Stieglitz, founding member included Gertrude Käsebier, Edward Steichen, Clarence H. White, and Joseph Keiley. In order to promote his goals, Alfred Stieglitz established …
Alfred Stieglitz and Early Modern Photography - Museum of Fine …
- https://www.mfa.org/exhibitions/alfred-stieglitz-and-early-modern-photography
- Alfred Stieglitz and Early Modern Photography September 14–December 29, 1996 Alfred Stieglitz (1864-1946), photographer, editor and gallery owner, was the key figure in America's acceptance of photography as a serious form of artistic …
V&A · Alfred Stieglitz – Pioneer Of Modern Photography
- https://www.vam.ac.uk/articles/alfred-stieglitz-pioneer-of-modern-photography
- In 1902, Stieglitz founded Photo-Secession, a radical and controversial movement that was influential in promoting photography as a fine art. For this group, photography was viewed not just as a documenting tool, but as a new …
Alfred Stieglitz Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/stieglitz-alfred/
- Insistent that photography warranted a place among the fine arts, Stieglitz's own work showed great technical mastery of tone and texture and reveled in exploring atmospherics. In later years, influenced in part by Cubism and other trends, he became interested in straight photography, favoring more clarity and less lush effects. Accomplishments
What Did Alfred Stieglitz Contribution To Photography
- https://fusiontr.com/what-did-alfred-stieglitz-contribution-to-photography/
- Insistent that photography warranted a place amongst the fine arts, Stieglitz’s ain work showed smashing technical mastery of tone and texture and reveled in exploring atmospherics. In later years, influenced in part by Cubism and other trends, he became interested in direct photography, favoring more clarity and less lush effects. Accomplishments
History of Photography: An introduction to Alfred Stieglitz
- https://photofocus.com/photography/history-of-photography-an-introduction-to-alfred-stieglitz/
- Vogel taught him how to master the technical aspects of photography and Stieglitz began applying it to the pictoralism style that was popular at the time. Photography championed as art It’s speculated that Stieglitz may have been drawn to photography and it’s battle as an independent art based on his Jewish roots.
Alfred Stieglitz (1864–1946) and American Photography
- https://www.metmuseum.org/toah/hd/stgp/ho_58.577.11.htm
- Through these enterprises, Stieglitz supported photographers and other modern American artists, while also apprising artists of the latest developments in early twentieth-century European modernism (with the help of Steichen’s frequent reports from Paris), including the work of Auguste Rodin, Pablo Picasso, Constantin Brancusi, and Francis Picabia.
Alfred Stieglitz | American photographer | Britannica
- https://www.britannica.com/biography/Alfred-Stieglitz
- He was convinced that photography should be considered a fine art—at least potentially the equal of painting and the traditional graphic arts—and he was accustomed to getting his way. He quickly became a leader of photography’s fine-art movement …
Alfred Stieglitz and Camera Work | Cleveland Museum of …
- https://www.clevelandart.org/research/in-the-library/collection-in-focus/alfred-stieglitz-and-camera-work
- Stieglitz's influence on both photography and art is best seen in microcosm through the magazine, Camera Work, in which he championed the medium as a means of artistic self expression on par with the fine arts. Camera Work served as a forum for criticism as well, publishing early writing on photography.
Alfred Stieglitz: Meet the Artist Who Popularized …
- https://the-artifice.com/alfred-stieglitz-popularized-photography-america/
- For Stieglitz, this meant using his art to encourage the accepted legitimacy of photography as an artistic medium. For photographers like Nan Goldin and Diane Arbus, this meant shedding light on the abnormal and the grotesque. And for photographers like Sally Mann, this meant celebrating the human body and the purity of the human spirit.
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