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The Relationship between Photography and Performance | MoMA
- https://www.moma.org/calendar/events/740
- For the upcoming session we have invited Barbara Clausen, curator and Professor, Performance Theory and History, University of Québec; Lucy Gallun, Assistant Curator, Department of Photography, MoMA; artists Sharon Hayes, Liz Magic Laser, and Jill Magid; and Melanie Kress, High Line Art Curatorial Fellow, to lead a discussion about the relationship …
Language between Performance and Photography - JSTOR
- https://www.jstor.org/stable/3397669
- Language Between Performance and Photography LIZ KOTZ Efforts to theorize the emergence of what can properly be called Conceptual art have struggled to determine the movement's relationship to the linguistic, poetic, and performative practices associated with the prior moment of Happenings and Fluxus.
Performance Art Movement Overview | TheArtStory
- https://www.theartstory.org/movement/performance-art/
- Performance is a genre in which art is presented "live," usually by the artist but sometimes with collaborators or performers. It has had a role in avant-garde art throughout the 20 th century, playing an important part in anarchic movements such as Futurism and Dada. Indeed, whenever artists have become discontented with conventional forms of ...
Tate show traces relationship between photography and art
- https://www.ft.com/content/a70d6438-15de-11e6-b197-a4af20d5575e
- The earliest known work of art to be painted with the help of photographs is to be shown as part of an exhibition exploring the relationship between art and photography at …
Language Between Performance and Photography
- https://faculty.ucr.edu/~ewkotz/public_html/texts/Oct%20111.pdf
- relationship between language and the object by playing it off a third term—in Brecht’s case, performance, in Kosuth’s, photography. Not only will comparing these two artists destabilize movement-based approaches, but it will cause the terms “perfor-mance” and “photography” to become unstable in unexpected ways. *
Performance Art: An Introduction - Smarthistory
- https://smarthistory.org/performance-art-an-introduction/
- Historical Sources. While performance art is a relatively new area of art history, it has roots in experimental art of the late 19th and early 20th centuries. Echoing utopian ideas of the period’s avant-garde, these earliest examples found influences in theatrical and music performance, art, poetry, burlesque and other popular entertainment.
Picturing Performance Art: An exploration into the ... - Fusion …
- https://fusion-journal.com/issue/007-fusion-mask-performance-performativity-and-communication/picturing-performance-art-an-exploration-into-the-logic-of-performance-documentation/
- This paper investigates the relationship between performance art and its residual documentation, looking specifically at different strategies that late modern and contemporary performance artists have used in order to document their works – from photography, video and drawing to ensure that the event can be preserved.
Photography and painting influence each other - Baltimore Sun
- https://www.baltimoresun.com/news/bs-xpm-1998-02-15-1998046086-story.html
- The juxtaposition of painting and photography at the show gives pause for reflection on the ways the two arts have influenced each other over the last 150 years. Initially, of course, photography ...
Performance Art - Ms. Edwards' Art Class
- http://edwardsartclass.weebly.com/performance-art.html
- Performance art usually consists of four elements: time, space, the performer’s body, and a relationship between audience and performer. Traditionally, the work is interdisciplinary, employing some other kind of visual art, video, sound, or props. Although performance art takes the form of live action, it has reached a large public audience ...
How is performance art different from the performing arts?
- https://www.experimentalaction.com/single-post/2018/01/22/How-is-performance-art-different-from-the-performing-arts
- Performance 11: On Line/Trisha Brown Dance Company Performance art, as formalized by artists in New York City in the 1970’s, largely explored how the body, normally used as an instrument in canvas painting and sculpture, could be seen as a material, an instrument, and a work of art in and of itself. Its differences between the performing arts were subtle in many …
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