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How Black people in the 19th century used photography …
- https://theconversation.com/how-black-people-in-the-19th-century-used-photography-as-a-tool-for-social-change-154721
- When photography became a viable business, African Americans started their own photography studios in different locations across the country. The Goodridge Brothers established one of the earliest...
Early Photography and African-American Identity | Duke …
- https://today.duke.edu/2012/07/african-american-identity-early-photography
- When photography burst onto the scene in the 19th century, it held out the promise of changing American culture. Nowhere did the possibilities stand out as strongly as for African-Americans, where Frederick Douglass and other leaders believed photography could undermine stereotypes or uneducated opinions concerning how black people lived.
How Black People in the 19th Century Used Photography …
- https://petapixel.com/2021/02/27/how-black-people-in-the-19th-century-used-photography-as-a-tool-for-social-change/
- When photography became a viable business, African Americans started their own photography studios in different locations across the country. The Goodridge Brothers established one of the earliest ...
How Black people in the 19th century used photography …
- https://www.news24.com/arts/culture/how-black-people-in-the-19th-century-used-photography-as-a-tool-for-social-change-20210414
- When photography became a viable business, African Americans started their own photography studios in different locations across the country. The Goodridge Brothers established one of the earliest Black photography studios in 1847. The business, opened first in York, Pennsylvania, moved to Saginaw, Michigan in 1863.
Photography, Film, and the African American Experience
- http://iraaa.museum.hamptonu.edu/page/Photography%2C-Film%2C-and-the-African-American-Experience
- Photography and film produced and disseminated images of Harlem as a mecca for African Americans in the first few decades of the 20th century. Many of these projects were shaped by ideas of racial uplift spearheaded by W.E.B. Du Bois, Alain Locke, and other African Americans who embraced the creation of positive and respectable images of ...
The Striking Work of Early African-American …
- https://time.com/5539596/early-african-american-photographers/
- Taken by Addison N. Scurlock, 1900s-1910s. The Scurlock Studio in Washington, D.C., served the city's black community, documenting the milestone moments of their lives. W.E.B. Du Bois portrait by ...
For Turn-of-the-Century African-Americans, the Camera …
- https://www.smithsonianmag.com/smithsonian-institution/turn-of-century-african-americans-camera-tool-empowerment-180971757/
- Coyle, who is the head of cataloguing and digitization at the museum, says photography was embraced by African-Americans during this period, as it was a means for them to reshape the narrative....
Smithsonian Museum acquires rare images by earliest …
- https://www.cnn.com/style/article/smithsonian-african-american-photography/index.html
- The Smithsonian American Art Museum in Washington, DC, has purchased a groundbreaking collection of images by some of history's earliest Black photographers. Pictures from the first African...
10 Black Photographers Who Shaped American History
- https://www.focuscamera.com/wavelength/black-photographers-shaped-history/
- After the war, Withers returned to Memphis and became one of the state’s first African-American police officers before going into business for himself and starting the Withers Photography Studio with his family. He was an incredibly prolific photographer; anywhere between 1 and 5 million images are attributed to his career. Life In Memphis
Smithsonian Acquires Rare Photographs From the First …
- https://www.nytimes.com/2021/08/17/arts/design/smithsonian-rare-photographs-black-daguerreotype.html
- the group of 286 objects, dating from the 1840s to the mid-1920s, includes a cache of 40 daguerreotypes made by three of the most prominent black photographers of the 19th century, james p. ball,...
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