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How Photography Defined the Great Depression - HISTORY
- https://www.history.com/news/how-photography-defined-the-great-depression#:~:text=Stryker%20was%20tasked%20with%20documenting%20the%20need%20for,Great%20Depression%20on%20everyday%20life%20in%20rural%20America.
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Meet 10 Depression-Era Photographers Who Captured the …
- https://www.smithsonianmag.com/smart-news/meet-photographers-charged-documenting-depression-era-america-farm-security-administration-180964123/
- Her “ Migrant Mother ” photographs shot in Nipomo, California, are perhaps the best-known photographs of the Great Depression. When Lange filed her images she would include direct quotes from the...
How Photography Defined the Great Depression - HISTORY
- https://www.history.com/news/how-photography-defined-the-great-depression
- Photographer Walker Evans also joined the FSA team. He’s well-known for his photo of Allie Mae Burroughs, a sharecropper’s wife and mother of four. He’s also known for …
The Photographers Who Captured the Great Depression
- https://daily.jstor.org/the-photographers-who-captured-the-great-depression/
- The program employed photographers who are now well known—Dorothea Lange, Walker Evans, and Gordon Parks among them—each taking photos that even Stryker couldn’t have imagined. “I expected competence,” he said in an interview. “I did not expect to be shocked at what began to come across my desk…. Every day was for me an education and a revelation.”
The Real Story Behind the ‘Migrant Mother’ Great Depression-Era …
- https://www.history.com/news/migrant-mother-new-deal-great-depression
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5 Depression-Era Photographs That Galvanized Social Change
- https://aperture.org/editorial/5-depression-era-photographs-social-change/
- During the Great Depression, the famed photographers of the FSA, led by director Roy Stryker, dispersed across the once prosperous nation to document the fall. Part of a government-funded relief program, the FSA’s photography division strove to record economic and environmental struggles, propagate the era’s essential photographs, educate Americans on the …
The Story of the Great Depression in Photos - ThoughtCo
- https://www.thoughtco.com/great-depression-pictures-1779916
- It was taken by photographer Dorothea Lange as she traveled with her new husband, Paul Taylor, to document the hardships of the Great Depression for the Farm Security Administration. Lange spent five years (1935 to 1940) documenting the lives and hardships of the migrant workers, ultimately receiving the Guggenheim Fellowship for her efforts.
Dorothea Lange's Moving Photographs of The Depression Era
- https://artsandculture.google.com/theme/UgKSzBM63VVaJw
- Meet the woman who showed America the consequences of the Great Depression. Dorothea Lange was an American documentary photographer and photojournalist. Though she had never used or owned a camera, Lange was adamant she would become a photographer when she graduated high school in the early 1900s. Having studied photography at Columbia ...
Dorothea Lange + Migrant Mother - John F. Kennedy Center for …
- https://www.kennedy-center.org/education/resources-for-educators/classroom-resources/media-and-interactives/media/media-arts/dorothea-lange-migrant--mother/
- Photographer Dorothea Lange, whose picture Migrant Mother is one of the most famous photographs of the 20th century. See how Lange used her …
The Great Depression: Photography 1935-1944 - Omnilogos
- https://omnilogos.com/great-depression-photography-1935-1944/
- Lewis Wickes Hine (1874-1940) began in 1901 to use photographs to aid his teaching at the Ethical Culture School in New York City. He took pictures of impoverished immigrants, child laborers in cotton mills in New England and North Carolina. Hine set a style for documentary photography until to his death in 1940.
Photographer: Dorothea Lange - Home | Library of Congress
- https://www.loc.gov/static/collections/fsa-owi-black-and-white-negatives/articles-and-essays/documenting-america/migrant-workers.html
- Only one of Lange's photographs of migrants ultimately appeared in Life. At the end of a six-page spread on the Dust Bowl in the issue dated 21 June 1937, following an optimistic look at new farming practices designed to reduce erosion, the magazine displayed a striking full-page close-up of the man with the defiant glance, cropped from the center of the four-by-five-inch negative.
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