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Two Lessons on André Bazin’s “Ontology of the …
- https://intermittentmechanism.blog/2016/12/12/two-lessons-on-andre-bazins-ontology-of-the-photographic-image/
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“Ontology of the Photographic Image” by André Bazin
- https://sites.lafayette.edu/fams202-sp15/2015/02/13/ontology-of-the-photographic-image-by-andre-bazin/
- A photograph is of a specific moment in time and a specific place, while art can be of any moment in any place which is why Bazin argues that a painting is more eternal than a photograph. Photography ranks high in the order of surrealist creativity because it produces an image that is a reality of nature, namely, an hallucination that is also a ...
Divining the real: the leaps of faith in André Bazin’s film …
- https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/features/andre-bazin-divining-real-film-criticism-overview
- For Bazin, a photograph holds an irrational power to persuade us of its truth because it results from a process of mechanical reproduction in which human agency plays no part. A painting, however lifelike, is still the obvious product of human craft and intention, whereas the photographic image is just what happens automatically when the light reflected from …
The Ontology of the Photographic Image by Andre Bazin
- https://www.wildreflections.photography/uncategorised/the-ontology-of-the-photographic-image-by-andre-bazin
- Bazin argues that the photographic image is the object itself and furthermore the object is freed from the conditions of time and space that govern it. So photography, freezes a moment in time, in life, freed from destiny – it embalms time. “The aesthetic qualities of photography are to be sought in its power to lay bare the realities.
An Analysis of Film Critic Andre Bazin's Views on …
- http://www.inquiriesjournal.com/articles/86/an-analysis-of-film-critic-andre-bazins-views-on-expressionism-and-realism-in-film
- Bazin makes a distinction between two different movements in silent film, one in which “montage and the plastic composition of the image are the very essence of cinema” and therefore in no need of support from sound, and another where the “image is evaluated not according to what it adds to reality but what it reveals of it”. 4 In the second instance the …
Influential Theorists: Andre Bazin - Bathtub Bulletin
- https://bathtubbulletin.com/influential-theorists-andre-bazin-the-ontology-of-the-photographic-image/
- Bazin is arguing that the reproduction of reality, through the camera, is imbued with an advantage because, unlike a painting or sculpture, a photograph is not an ‘ersatz’. 12 Painting, or sculpture, is a replacement for an object, a photograph the reproduction. And Bazin believes that this reproduction is treated, commonly, as if it is the object.
Ontology of the Photographic Image (Photography …
- https://jewishphilosophyplace.com/2013/04/17/ontology-of-the-photographic-image-photography-surrealism-religion-andre-bazin/
- Bazin’s essay on realist photographic ontology builds upon the ideality of the photographic image. The complete statement is that, “The photographic image is the object itself, the object freed from the conditions of time and space that govern it.”. This would mean that same coupling of realism and idealism-spiritualism (the creation of “an ideal world in the …
Ellul Meets Bazin: The Ethics of Reality and the …
- https://secondnaturejournal.com/ellul-meets-bazin-ethics-reality-photocinema-image/
- This is why Bazin values in photography what Ellul includes in his seven characteristics of technique: “automatism, which is the process of technical means asserting themselves according to mathematical standards of efficiency” (Matlack, 2014, p. 51, emphasis in original). The camera’s mechanical nature is what sets it apart from us, and what allows us to …
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