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Gerhard Richter: Overpainted Photographs - Gagosian
- https://gagosian.com/exhibitions/2019/gerhard-richter-overpainted-photographs/
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Why does gerhard richter paint from photographs
- https://diaelle551.amebaownd.com/posts/30132198
- Richter insists on taking or keeping a photograph because he enjoys it purely in that form; though he will go on to paint some of those images later, taking a photo with the intention to paint it, he has learned, will result in a less-than-superb painting and an even worse photograph.
Gerhard Richter Paintings, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/richter-gerhard/
- Gerhard Richter is a German painter who originally trained in a realist style and later developed an appreciation for the more progressive work of his American and European contemporaries. Richter increasingly employed his own painting as a means for exploring how images that appear to capture "truth" often prove, on extended viewing, far less objective, or unsure in meaning, …
Gerhard Richter: Why Paint? | SpringerLink
- https://link.springer.com/chapter/10.1007/1-56898-659-9_9
- Abstract. After seeing the retrospective of Gerhard Richter’s paintings at the Museum of Modern Art in New York in 2002, I began to think about iconoclasm and the fact that in the West it lives on, not in its old haunts—religion or politics — but in modern art. Even now, long after Clement Greenberg’s dogmas have faded and Ad Reinhardt ...
Gerhard Richter: Painting After All - Primer
- https://www.metmuseum.org/primer/gerhard-richter
- His Birkenau series was based on four photographs smuggled from Auschwitz-Birkenau, the Nazi death camp, in 1944. In 2014 Richter revisited the horrific images, first sketching them out on individual canvases, but then gradually painting them over to …
Blurred visionary: Gerhard Richter's photo-paintings - the …
- https://www.theguardian.com/artanddesign/2011/sep/22/gerhard-richter-tate-retrospective-panorama
- 14. I n 2003, Gerhard Richter made several paintings with the same title: Silicate. Large oil-on-canvas pieces, these show latticed rows of light- and dark-grey blobs whose shapes quasi-repeat as ...
Why is Gerhard Richter so important? | art | Agenda
- https://www.phaidon.com/agenda/art/articles/2011/october/05/why-is-gerhard-richter-so-important/
- One reason why Gerhard Richter is so important is because he has kept painting alive - and in a very ingenious manner too - throughout a period when its death has been much reported and much exaggerated, writes critic, curator and commissioning editor for fine art at Phaidon, David Anfam. Another factor is that Richter has managed to confront, on the one …
Gerhard Richter - Overpainted Photographs - Hannah Hoffman
- https://www.hannahhoffman.la/exhibition/gerhard-richter
- 1. The majority of the overpainted photographs are produced by Richter wiping the photograph through the wet paint on the plastic doctor blade. By doing this he can pick up large quantities of paint that lie on the photographic paper in the form of amorphous islands, some of which are millimeters thick and that look like a closed skin; if the movement is particularly vigorous, the …
Gerhard Richter’s Use of Photography to Challenge …
- https://www.ijac.org.uk/images/frontImages/gallery/Vol._2_No._10/8.pdf
- Richter finishes the work by blurring it (usually using a light brush, or squeegee) to apply a thin layer of white paint (as in Two Fiats, 1964). For Richter this blurring concerns the human incapacity to know reality which for him is always subjective, imprecise, uncertain, transient and incomplete (Ibid.:74). By examining the relationship of Richter’s painting to photography this …
How did Richter Make his Paintings? | Tate
- https://www.tate.org.uk/art/artists/gerhard-richter-1841/how-did-richter-make-his-paintings
- Richter’s assistants prepare his oil paint. The paint is purchased in huge cans. It is then strained through sections of muslin in order to further refine it, that is, de-clump it from pigment agglomerations. Multiple layers of paint are applied on top of the initial under-painting.
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