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William Eggleston: The Father Of Color Photography
- https://artofcreativephotography.com/famous-photographers/the-father-color-photography-william-eggleston-photography/
- Although Eggleston is often referred to as the “father of color photography”, his work is not limited only to this. William Eggleston also introduced completely new topics to photography. For him, it seems that the reason to take a photograph of a particular thing does not play an important role. Everything can be photographed, or in other ...
William Eggleston's color photos were shocking for their …
- https://www.cnn.com/style/article/william-eggleston-photographs-artsy/index.html
- On May 25, 1976, Eggleston made his MoMA debut with a show of 75 prints, titled "William Eggleston's Guide." It was the first solo show dedicated …
William Eggleston’s Colorful Photographs of the Everyday …
- https://www.artsy.net/article/artsy-editorial-william-egglestons-colorful-photographs-everyday-shocked-art
- When photographer William Eggleston arrived in Manhattan in 1967, he brought a suitcase filled with color slides and prints taken around the Mississippi Delta. They were scenes of the low-slung homes, blue skies, flat lands, and ordinary people of the American South—all rendered in what would eventually become his iconic high-chroma, saturated hues.
Genius in colour: Why William Eggleston is the world’s …
- https://www.independent.co.uk/arts-entertainment/art/features/genius-in-colour-why-william-eggleston-is-the-world-s-greatest-photographer-8577202.html
- The godfather of colour photography, William Eggleston, inspired a generation – from David Lynch to Juergen Teller. As the 73-year-old from Memphis is honoured by the Sony World Photography ...
William Eggleston and the Validation of Color …
- https://petapixel.com/2013/03/07/william-eggleston-and-the-validation-of-color-photography-as-legitimate-art/
- Mar 07, 2013. Jonathon Keats. William Eggleston didn’t invent color photography, but his landmark 1976 exhibition at the Museum of Modern Art gave it dignity, and began the four-decade process ...
A Road Less Traveled: How William Eggleston …
- https://www.artsy.net/article/artsy-editorial-what-you-need-to-know-about-william-eggleston
- Jul 22, 2016 10:35am. William Eggleston has no trouble pinpointing the first of his color photographs that he considers a success. It was 1965, late afternoon, and the American photographer was standing outside a supermarket in Memphis, Tennessee. The warm sunlight had just caught the blonde hair and absentminded expression of a teenaged ...
William Eggleston Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/eggleston-william/
- Since the early 1960s, William Eggleston used color photographs to describe the cultural transformations in Tennessee and the rural South. He registers these changes in scenes of everyday life, such as portraits of family and friends, as well as gasoline stations, cars, and shop interiors. Switching from black and white to color, his response ...
How William Eggleston Introduced Color Photography to the Art …
- https://www.picturecorrect.com/tips/how-william-eggleston-introduced-color-photography-to-the-art-world/
- William Eggleston, known for bringing color to the world of art photography, was born in Memphis, Tennessee in 1939 to a well-to-do family. He picked up his first camera when he was 18 years old and began printing his own black and white photographs. At the time, he didn’t know anything about photography.
William Eggleston, the Pioneer of Color Photography
- https://www.nytimes.com/2016/10/17/t-magazine/william-eggleston-photographer-interview-augusten-burroughs.html
- Eggleston perches atop the bench in front of his Bösendorfer concert grand piano. An active ashtray and a sweating tumbler of icy bourbon on a burn-marked coaster sit inside the piano directly on ...
In Color: A Conversation with William Eggleston - Cody Delistraty
- https://delistraty.com/2017/09/08/in-color-a-conversation-with-william-eggleston/
- Comparing Eggleston to Edward Hopper, Alexander Nemerov, who wrote the introduction to Eggleston’s latest photography book, The Democratic Forest, found that Eggleston’s photographs go beyond even Hopper’s paintings in depicting the anonymity of America, revealing something “supernatural” in what might otherwise look like emptiness.
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