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`HOMELESS IN AMERICA` AIMS TO SHOCK VIEWERS …
- https://www.chicagotribune.com/news/ct-xpm-1989-12-29-8903220328-story.html
- What: ''Homeless in America''. Where: Field Museum of Natural History, Roosevelt Road and Lake Shore Drive; 322-8855. When: 9 a.m.-5 p.m. daily through Feb. 18. How much: $3; children under 17 and ...
PHOTOGRAPHY VIEW; Homelessness at a Remove: An …
- https://www.nytimes.com/1988/09/25/arts/photography-view-homelessness-at-a-remove-an-urge-to-stare.html
- Nevertheless, ''Homeless in America,'' a traveling exhibition of some 80 prints now on view at the New York Public Library (Fifth Avenue and 42d Street, through Oct. 22), attempts to dramatize the ...
Homeless in America | National Portrait Gallery
- https://npg.si.edu/object/npg_NPG.91.TC18
- Artist Larry Clark, born 1943 Date 1990 Type Painting Medium Ink and pastel on paper Dimensions 72.8cm x 58.4cm (28 11/16" x 23"), Accurate
The Unwanted: homeless in America - 1854 Photography
- https://www.1854.photography/2019/02/the-unwanted-homeless-in-america/
- The Unwanted was shot over four years, in four American cities – Syracuse, Gallup, Las Vegas, and New Orleans – and completed with the support of a Guggenheim fellowship. Jensen is currently raising funds on Kickstarter to publish a book of the work, which will include 120 colour images, as well as a poem by Gregory George – a homeless ...
Photographing the Homeless - JOHN GILL
- https://www.johngill.photography/photographing-the-homeless/
- A few thoughts on photographing the homeless. This man was trying to get enough money for few nights in a hostel that would take him and his dog. I’ve often seen the argument that street photographers shouldn’t photograph the homeless. The reasoning seems to roughly come down to three things: It’s too easy. It’s exploitative.
‘Cast out, unwanted, invisible’: homeless in America – in …
- https://www.theguardian.com/artanddesign/gallery/2021/sep/29/cast-out-unwanted-invisible-homeless-in-america-in-pictures
- They feel cast out, unwanted, invisible, forgotten. They endure constant harassment from cops, business owners, kids or drunks throwing rocks or lighting them on fire as they slept. Unsheltered ...
Photographing the Homeless: Art or Exploitation?
- https://streetphotographymagazine.com/article/photographing-the-homeless-art-or-exploitation/
- Webster defines art as being “the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power”. “It is an illusion that photos are made with the camera… they are made with the eye, heart, and ...
CSUN Prof’s Photo Exhibit Offers a Glimpse Into the Lives …
- https://www.csun.edu/mike-curb-arts-media-communication/news/csun-prof%E2%80%99s-photo-exhibit-offers-glimpse-lives-la%E2%80%99s-homeless
- California State University, Northridge journalism professor David Blumenkrantz documents the stories of the city’s homeless in a photography exhibit, “One of Us,” on display at the Los Angeles United Methodist Museum of Social Justice from May 24-Oct. 28. An opening reception will take place from 3 to 5 p.m. on Saturday, May 26.
Photography Exhibit Showcases Homeless New Orleanians’ Takes …
- https://www.bayoubrief.com/2017/10/09/photography-exhibit-showcases-homeless-new-orleanians-takes-on-the-city/
- However, in New Orleans on October 10 th 2017 – World Homeless Day – ReFOCUS, in conjunction with the New Orleans Downtown Public Library, will open a window into the lives of New Orleans’ homeless population. They will host a photography exhibit created by the MyNew Orleans Photo Project showing both New Orleans and New Orleanians ...
A new photography exhibition captures homelessness in …
- https://www.standard.co.uk/culture/a-new-photography-exhibition-captures-homelessness-in-1970s-whitechapel-a3889526.html
- A Sort of Home: 1970s Whitechapel - in pictures. Homeless men play Monopoly at the shelter set up by Crisis at Christmas in St Philip and St Augustine's disused church in Whitechapel,1978.
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