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Dorothea Lange | Biography, Photographs, & Facts
- https://www.britannica.com/biography/Dorothea-Lange
- How did Dorothea Lange become famous? During the Great Depression , Lange photographed the desperate situation of the unemployed men she saw in San Francisco. Her photographs, notably White Angel Bread Line (1933), received immediate recognition and led to a commission in 1935 from the U.S. Resettlement Administration to photograph migrant workers.
Dorothea Lange’s 5 Most Iconic Images - Artsy
- https://www.artsy.net/article/artsy-editorial-dorothea-langes-5-iconic-images
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Dorothea Lange: A Powerful Photographic Portrayal Of …
- https://theculturetrip.com/north-america/usa/california/articles/dorothea-lange-a-powerful-photographic-portrayal-of-strength-through-suffering/
- Dorothea Lange’s iconic photograph Migrant Mother (1936) has long been used to epitomize the Great Depression in the United States. Lange’s documentary photographs have shaped the discipline, acting as a vehicle for socio-political commentary whilst preserving moments in ‘contemporary’ life.
Dorothea Lange Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/lange-dorothea/
- Summary of Dorothea Lange Dorothea Lange's images of Depression-era America made her one of the most acclaimed documentary photographers of the 20 th century. She is remembered above all for revealing the plight of sharecroppers, displaced farmers and migrant workers in the 1930s, and her portrait of Florence Owens Thompson, Migrant Mother, Nipomo, California …
Dorothea Lange - Great Depression, Photos & Facts
- https://www.biography.com/artist/dorothea-lange
- Dorothea Lange was a photographer whose portraits of displaced farmers during the Great Depression greatly influenced later documentary photography.
Life Story: Dorothea Lange, 1895–1965 - Women & the …
- https://wams.nyhistory.org/confidence-and-crises/great-depression/dorothea-lange/
- Dorothea took some of the most famous photographs of the Great Depression. But the government often distributed images without the photographer’s names, so Dorothea was relatively unknown. Why do you think it is important to learn about the person behind these famous images? Dorothea suffered a disability for most of her life.
Dorothea Lange - 60 artworks - photography - WikiArt
- https://www.wikiart.org/en/dorothea-lange
- Wikipedia article. References. Dorothea Lange (born Dorothea Margaretta Nutzhorn; May 26, 1895 – October 11, 1965) was an American documentary photographer and photojournalist, best known for her Depression-era work for the Farm Security Administration (FSA). Lange's photographs influenced the development of documentary photography and humanized the …
Dorothea Lange + Migrant Mother
- https://www.kennedy-center.org/education/resources-for-educators/classroom-resources/media-and-interactives/media/media-arts/dorothea-lange-migrant--mother/
- "Dorothea Lange" Photo by Rondal Partridge. 1936, Library of Congress. In the 1930s, Lange worked for a government program that documented relief sent to farmers who had been hit hard by the collapse of the U.S. economy. Her images of desperately poor families told the stories of those who had been unfortunate.
Dorothea Lange: Artist and Social Justice Activist
- https://www.1000museums.com/dorothea-lange-photography/
- No, we’re not talking about the 2020s, hopefully. We are talking about the 1930s, when Dorothea Lange took her most famous photographs. Her photographs awakened the American people and government agencies to the desperate plight of American poverty. Her 1936 photo, Migrant Mother, became one of the most famous photographs of all time.
The Enduring Influence of Dorothea Lange | Art & Object
- https://www.artandobject.com/articles/enduring-influence-dorothea-lange
- Dorothea Lange, the early 20th-century American documentary photographer, is forever synonymous with Migrant Mother (1936)–her iconic photograph of an impoverished modern-day Madonna caring for three children. “As you look at the photograph of the migrant mother, you may well say to yourself, ‘How many times have I seen this one?’”
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