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Zuma Series Of Photographer John Divola

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John Divola: Zuma Series | Palm Springs Art Museum

    https://www.psmuseum.org/art/exhibitions/john-divola
    April 1, 2021 – January 1, 2022. In the late seventies, John Divola (American, born 1949) stumbled upon an abandoned property in Zuma Beach in Southern California. Between 1977-1978, he observed, augmented, and photographed this building, and it is the subject of one of his earliest and most renowned projects entitled Zuma, 1979. The structure was repeatedly …

John Divola's Zuma Series: 1977 & 1978 - GRAPHITE

    http://www.graphitejournal.com/john-divolas-zuma-series-1977-1978/
    Part of this year’s Pacific Standard Time Initiative, MOCA’s Under the Big Black Sun showcases John Divola’s early and critically acclaimed Zuma Series: 1977 & 78 . Zuma Series captures a moment in time where Divola used the framing of an abandoned and condemned domestic space as stage for his own intervention through painting and photography.

John Divola: Zuma Series | Palm Springs Art Museum

    https://www.psmuseum.org/index.php/art/exhibitions/john-divola
    John Divola: Zuma Series < All Exhibitions In the late seventies, John Divola (American, born 1949) stumbled upon an abandoned property in Zuma Beach in Southern California. Between 1977-1978, he observed, augmented, and photographed this building, and it is the subject of one of his earliest and most renowned projects entitled Zuma, 1979.

John Divola - Gallery Luisotti

    https://galleryluisotti.com/artists/john-divola/
    In his Vandalism (1973-75) series, Divola comments on the role of the photographer as synonymous to the graffiti artist, making his own marks and emulsions in an abandoned building. His fascination with inhabitable houses led him to Zuma (1997), a body of work that documents the man-made interiors of buildings that are corroded and vandalized in contrast to the exterior …

Photography: John Divola - Magazine Contemporary Culture

    https://www.magazinecontemporaryculture.com/photography-john-divola/
    Los Angeles–based photographer John Divola is perhaps best known for this series of photographs documenting the gradual destruction of an abandoned and oft-vandalized beachfront property at Zuma Beach in Malibu. Without a studio of his own in the 1970s, the artist roamed Los Angeles in search of vacant properties that he could photograph.

John Divola | MoMA

    https://www.moma.org/artists/1558
    John Divola (born 1949) is an American contemporary visual artist. He currently lives and works in Riverside, CA. Divola works in photography, describing himself as exploring the landscape by looking for the edge between the abstract and the specific.

John Divola - Swimming Drunk - Exhibitions - Yancey …

    https://www.yanceyrichardson.com/exhibitions/john-divola
    Divola describes Zuma Series (1977-1978), as “a product of [his] involvement with an evolving situation…my acts, my painting, my photographing, my considering, are part of, not separate from, this process of evolution and change.” His willingness to physically intervene with his surroundings, combined with his bold use of color, marked Divola’s departure from the status …

John Divola

    http://divola.com/
    John Divola's Homepage

Exhibition Review: JOHN DIVOLA: SWIMMING DRUNK - Musée …

    https://museemagazine.com/culture/2022/4/25/exhibition-review-john-divola-swimming-drunk
    Written by Megan May Walsh. Edited by Jana Massoud. Swimming Drunk, John Divola’s exhibition at Yancey Richardson, includes two photographic exhibitions titled Zuma Series (1977-1978) and Daybreak (2015-2020) representing the breadth of his 40-year career. In the series, John Divola photographs ruined architecture marked by mother nature and the …

JOHN DIVOLA - FotoFilmic

    https://fotofilmic.com/john-divola/
    In his Vandalism (1973-75) series, Divola comments on the role of the photographer as synonymous to the graffiti artist, making his own marks and emulsions in an abandoned building. His fascination with inhabitable houses led him to Zuma (1997), a body of work that documents the man-made interiors of buildings that are corroded and vandalized in contrast to the exterior …

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