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10 Facts: Civil War Photography - American Battlefield Trust
- https://www.battlefields.org/learn/articles/10-facts-civil-war-photography
- Bonus Facts: Exposing a plate usually took several seconds, meaning the subject would have to be still for two to ten seconds. Tintypes were actually made on thin iron plates, which were so thin that they resembled tin. Hence the name tintype. Photojournalism, or documentary photography, first ...
Photography and the Civil War - American Battlefield Trust
- https://www.battlefields.org/learn/articles/photography-and-civil-war
- Photography during the Civil War, especially for those who ventured out to the battlefields with their cameras, was a difficult and time consuming process. Photographers had to carry all of their heavy equipment, including their darkroom, by wagon. They also had to be prepared to process cumbersome light-sensitive images in cramped wagons.
6 Great Civil War Photography Facts - Maureen Taylor
- https://maureentaylor.com/learn/6-great-civil-war-photography-facts/
- You should know these important Civil War photography facts: By the 1860s, photography was widely available. Daguerreotypes, ambrotypes, iron tintypes and cartes de visite (or card... The U.S. government financed a portion of the war using tax stamps. Legislation passed in …
Photography during the Civil War – Encyclopedia Virginia
- https://encyclopediavirginia.org/entries/photography-during-the-civil-war/
- Background. The daguerreotype process, which produced an image on a metal plate, was …
Civil War Photography
- https://civilwarsaga.com/civil-war-photography/
- August 9, 2011 by Rebecca Beatrice Brooks. The Civil War was one of the first wars to be documented by photography. The invention of photography in the 1820s allowed the horrors and glory of war to be seen by the public for the first time. Dozens of photographers, some private and some employees of the army, snapped photos of the soldiers as well as the …
History in Focus: Civil War Photography | HistoryNet
- https://www.historynet.com/history-in-focus-civil-war-photography/
- by Melissa A. Winn 11/4/2021. This recently discovered stereoview revealed the location of slave cabins near Fredericksburg that the National Park Service had been attempting to locate for decades. On October 28, 1980, Bob Zeller saw his first Civil War stereoview, a photograph of Antietam’s Bloody Lane by photographer Alexander Gardner. Since the age of …
American Civil War Photography – Everything You Need To Know
- https://www.shootphilly.com/american-civil-war-photography-everything-you-need-to-know/
- The earliest flourishing of Civil War photography was produced by Southern photographers, capturing the aftermaths of bombardments, troops on the frontlines and other documentary images. However, as the Southern army’s fortunes began to wane and the Union blockade started to take effect, Southern photographers began to run out of the chemicals that …
Pearce Museum | Photography in the Civil War
- https://www.pearcemuseum.com/education/seventh-grade-curriculum/photography-in-the-civil-war/
- Civil War Photography From 1840 to the beginning of the American Civil War, at least 118 photographers were working in Texas, and by 1860 many Texas communities had permanent photographic galleries. Texas was not unlike other states, both North and South, in that the Civil War crisis brought about a boom in certain types of businesses, photography being one of them.
Photography and the Civil War, 1861–65 | Essay | The …
- https://www.metmuseum.org/toah/hd/phcw/hd_phcw.htm
- Timothy O’Sullivan was one of the many photographers who began their careers as apprentices to Brady. When the early events of the Civil War suggested no immediate resolution of the conflict, O’Sullivan abandoned the Washington, D.C., gallery for four years in the field.
American History Review: Photography and the American …
- https://www.historynet.com/american-history-review-photography-american-civil-war/
- Early photography was static; action shots would just be blurs. But entrepreneurial photographers like Mathew Brady and Alexander Gardner suggested battlefield violence by focusing on the macabre aftermath and proved the public would buy what Brady termed his “fearful reproductions.”
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