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Henry Peach Robinson Photography

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Henry Peach Robinson - Wikipedia

    https://en.wikipedia.org/wiki/Henry_Peach_Robinson
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Henry Peach Robinson | British photographer | Britannica

    https://www.britannica.com/biography/Henry-Peach-Robinson
    Henry Peach Robinson, (born July 9, 1830, Ludlow, Shropshire, England—died February 21, 1901, Tunbridge Wells, Kent), English photographer whose Pictorialist photographs and writings made him one of the most influential photographers of the second half of the 19th century. At age 21 Robinson was an amateur painter precocious enough to have one of his paintings hung at the …

Henry Peach Robinson, The Pictorialist - Better Photography

    http://www.betterphotography.in/perspectives/great-masters/henry-peach-robinson-the-pictorialist/25794/
    While he considered craft extremely vital, Henry Peach Robinson was one of the first to opine that there is more to photography. He wrote extensively on the need to ‘see’. “A new world is open to him who has learnt to distinguish and feel the effect of the beautiful and subtle harmonies that nature presents in all her varied aspects,” he wrote.

Henry Peach Robinson (The J. Paul Getty Museum …

    https://www.getty.edu/art/collection/person/103KJ1
    Henry Peach Robinson described his passionate enthusiasm for photography in these dramatic terms. He learned photography from Dr. Hugh Diamond's instructions, which had been printed in the Journal of the Photographic Society. In 1857 Robinson abandoned the bookselling trade and opened a photographic studio, specializing in portraits.

History of Photography: Henry Peach Robinson - Photofocus

    https://photofocus.com/photography/history-of-photography-henry-peach-robinson/
    Robinson, a portrait photographer in the mid-1850’s, was inspired to explore combination printing by Rejlander’s “The Two Ways of Life”. One of his most known pieces is that entitled “Fading Away”. A tableaux scene made from 5 combined negatives, that shows a young girl surrounded by her grieving family on her literal death bead. Although death and was not a …

Henry Peach Robinson | MoMA

    https://www.moma.org/artists/4963
    Henry Peach Robinson (9 July 1830, Ludlow, Shropshire – 21 February 1901, Royal Tunbridge Wells, Kent) was an English pictorialist photographer best known for his pioneering combination printing - joining multiple negatives or prints to form a …

Biography: 19th Century photographer Henry Peach …

    https://monovisions.com/henry-peach-robinson-biography-19th-century-photographer/
    Henry Peach Robinson (1830 - 1901) was an English pictorialist photographer best known for his pioneering combination printing - joining multiple negatives or prints to form a single image; an early example of photomontage. In 1852 he exhibited an oil painting, On the Teme Near Ludlow, at the Royal Academy. That same year he began

H. P. (Henry Peach) Robinson: An Inventory of His …

    https://norman.hrc.utexas.edu/fasearch/findingAid.cfm?eadid=01241
    H. P. (Henry Peach) Robinson Photography Collection. Dates: Circa 1847-1897. Extent: 276 items. Abstract: The H. P. (Henry Peach) Robinson collection consists of 77 photographs, 193 drawings, watercolors, prints and oil paintings, and one glass negative by H. P. (Henry Peach) Robinson. Also included are four medals awarded to Robinson by the Photo Club De Paris and the World …

Henry Peach Robinson | Fading Away | The Metropolitan …

    https://www.metmuseum.org/art/collection/search/302289
    The Royal Photographic Society acquired a large group of Henry Peach Robinson's photographs, negatives, books, notebooks, and letters from his son, Ralph W. Robinson, in the 1920s. This photograph was part of this acquisition. In 2003, the National Media …

Henry Peach Robinson | "She Never Told Her Love" | The …

    https://www.metmuseum.org/art/collection/search/283090
    Consumed by the passion of unrequited love, a young woman lies suspended in the dark space of her unrealized dreams in Henry Peach Robinson's illustration of the Shakespearean verse "She never told her love,/ But let concealment, like a worm i' the bud,/ Feed on her damask cheek" (Twelfth Night II,iv,111-13). Although this picture was exhibited by Robinson as a discrete work, …

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