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Brisbane based photographer

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Photographic Portraiture Theory

Interested in photography? At matthughesphoto.com you will find all the information about Photographic Portraiture Theory and much more about photography.


The Portrait In Photography - Monoskop

    https://monoskop.org/images/0/02/Clarke_Graham_editor_The_Portrait_in_Photography_1992.pdf#:~:text=As%20an%20analogue%20of%20the%20original%20subject%2C%20the,declares%20itself%20as%20an%20authentic%20presence%20ofthe%20individual.
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What is Portrait Photography? (Simple) Helpful Guide

    https://photofocus.com/photography/what-is-portrait-photography-the-importance-of-portraits/
    What is portrait photography? Portrait photography is about capturing the essence, personality, identity and attitude of a person utilizing backgrounds, lighting and posing. While this definition may sound simple, portrait photography can be one of the most challenging forms of photography to master. The goal is to capture a photo that appears both natural and …

Portraiture in Photography - An Everlasting Classic

    https://www.widewalls.ch/magazine/portraiture-photography
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Portrait photography - Wikipedia

    https://en.wikipedia.org/wiki/Portrait_photography
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Portraiture | Photography

    https://hannahgeraghty044.wixsite.com/photographya1/portraiture
    Definition and Theory: (Definition) A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expression is predominant. The intent is to display the likeness, personality, and even the mood of the person. Capturing portraits is to capture the mood and soul of a person.

Portraits: Photography, Theory, and Representation

    https://thebrooklyninstitute.com/items/courses/new-york/portraits-photography-culture-and-representation/
    The most common kind of photograph is the portrait. Wresting the means of representation from the hands of sculptors and painters, photography offers ordinary people the hope of recording and capturing themselves “as they really are.”. Yet, if the photographic portrait makes self-representation possible on a mass scale, it also holds obvious appeal to state and private …

Part One – Origins of Photographic Portraiture - that …

    https://simonmulholland.com/part-one-origins-of-photographic-portraiture/
    Project 1: Historic Portraiture. “The portrait is a sign whose purpose is both the description of an individual and the inscription of social identity.” (Tagg, 1988, p37) According to psychological theory, social identity refers to “the perception of oneself and others based on the social groups that they belong to.

Getting Started with Photo Theory: Szarkowski, Sontag, …

    https://www.bhphotovideo.com/explora/photography/features/getting-started-with-photo-theory-szarkowski-sontag-and-barthes
    As he shifts focus from the topic of being represented by the camera to looking at photographs, Barthes introduced two new terms to photo theory: punctum and studium. In short, the studium consists of the visual information contained within a photograph.

Theory of Portraiture

    https://www.jstor.org/stable/pdf/24485634.pdf
    at the heart of douglass's theory of portraiture was his conviction that all likenesses of african american subjects, enslaved and free, must do justice to "the face of the fugitive slave" by conveying the "inner" via the "outer man" and thereby work with emotional depth rather than physical surface in order to extrapolate a full gamut of lived …

Basic Critical Theory for Photographers.pdf - Academia.edu

    https://www.academia.edu/32073497/Basic_Critical_Theory_for_Photographers_pdf
    1 John Berger, Ways of Seeing 1 2 John Szarkowski, The Photographer’s Eye and Stephen Shore, The Nature of Photographs 15 3 Susan Sontag, On Photography 30 4 Roland Barthes, Camera Lucida 76 5 Martha Rosler, In, Around and Afterthoughts (On

The Portrait In Photography - Monoskop

    https://monoskop.org/images/0/02/Clarke_Graham_editor_The_Portrait_in_Photography_1992.pdf
    The portrait photograph exists within a series of seemingly endless paradoxes. Indeed, as the formal representation ofa face orbodyitis, by its very nature, enigmatic. And part of·this enigma is embedded in the nature of identity as itself ambiguous, for the portrait advertises an individual who endlessly eludes the single, static and fixed frame of a

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