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What Kind Of Photography Does Jerry Uelsmann Do

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On Photography: Jerry Uelsmann, 1934-2022 - Photofocus

    https://photofocus.com/inspiration/on-photography-jerry-uelsmann-1934-present/
    Jerry Uelsmann is a master of a process he has named “post-visualization.” He has spent 50 years photographing places, objects, figures, nudes, rocks, fields, skies, clouds — the list is, frankly, seemingly endless. Yet he doesn’t print a single one of them. He layers many images together onto a single print.

Jerry N. Uelsmann | Photography and Biography

    https://www.famousphotographers.net/jerry-n-uelsmann
    Uelsmann produces amalgamated photographs along with several negatives as well as extensive work in the darkroom. His negatives recur in his work as either a background or focal point. Just like O.G. Rejlander, it is felt by Uelsmann that the final image can be composed of more than one negative.

Jerry Uelsmann - Center for Creative Photography

    https://ccp.arizona.edu/artists/jerry-uelsmann
    For Uelsmann the darkroom functions as a visual laboratory. Uelsmann uses multiple negatives and enlargers to create a single unified image. Uesmann often photographs with this in mind, selecting specific objects with the intention of isolating and then combining them with additional negatives in the darkroom.

An Interview With Jerry Uelsmann - Digital Photo Pro

    https://www.digitalphotopro.com/profiles/jerry-uelsmann-the-alchemist/
    Because Jerry Uelsmann is a master craftsman of what he calls “alchemy”—silver-halide photography and printing—too often his work has been unfairly defined by technique instead of vision. While Uelsmann employs techniques that are potentially simplified by the use of Photoshop, it has been his mastery of the process, along with a unique vision and an evolving …

Jerry Uelsmann | Artnet

    https://artnet.com/artists/jerry-uelsmann/
    Jerry Uelsmann is an American photographer best known for his innovative work with the photomontage technique. Through his practice, Uelsmann creates allegorical and surreal compositions through painstaking handmade collage. His photographs are made using only analog tools—much like the earlier photographer Oscar Gustave Rejlander, Uelsmann relies on …

Jerry Uelsmann

    https://www.uelsmann.com/
    Jerry Uelsmann Features Jerry Uelsmann: Visual Poetry The surreal, spiritual and thought-provoking images of Jerry Uelsmann, the master of photomontage, are anaylized and explored as we reveal the creative process and darkroom techniques of one of the world’s most acclaimed photographers. A film by Bill Suchy. > WATCH VIDEO

Jerry Uelsmann — Google Arts & Culture

    https://artsandculture.google.com/entity/jerry-uelsmann/m02_r62
    Jerry N. Uelsmann is an American photographer and was an early exponent of photomontage in the 20th century in America. His work in darkroom effects foreshadowed the use of Adobe Photoshop to make...

Jerry Uelsmann | International Photography Hall of Fame

    https://iphf.org/inductees/jerry-uelsmann/
    Jerry Uelsmann is an American photographer and professor, credited as a leader of photomontage. As a master printer, Uelsmann is known for producing composite photographs with multiple negatives and detailed darkroom work, blending various images into stunningly complex surrealistic photomontages of landscapes, human subjects, and vernacular structures.

About - Jerry Uelsmann

    https://www.uelsmann.com/about.php
    Born in Detroit on June 11, 1934, Jerry Uelsmann received his B.F.A. degree at the Rochester Institute of Technology in 1957 and his M.S. and M.F.A. at Indiana University in 1960. He began teaching photography at the University of Florida in Gainesville in 1960 (“my first job offer”). He became a graduate research professor of art at the university in 1974, and is now retired from …

The Passing of Master Photographer Jerry Uelsmann: …

    https://www.shutterbug.com/content/master-interview-jerry-uelsmann
    An educator since the early 1960s, Jerry Uelsmann began assembling his photographs from multiple negatives decades before digital tools like Photoshop were available. Using as many as seven enlargers to expose a single print, his darkroom skills allowed him to create evocative images that combined the realism of photography and the fluidity of our …

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